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The pulpitum is a common feature in medieval cathedral and monastic church architecture in Europe. It is a massive screen that divides the choir (the area containing the choir stalls and high altar in a cathedral , collegiate or monastic church ) from the nave and ambulatory (the parts of the church to which lay worshippers may have access). [ 1 ]
This declares the Bible to be the foundation of the faith. Furthermore, the "Centrality of the Word" implies that the reading and preaching of the Bible is the centrepiece of a service of worship, and thus takes priority over the sacraments. The central pulpit is intended to give visual representation of this idea. [13] [14]
The term "chancel" itself derives from the Latin word cancelli meaning "lattice"; a term which had long been applied to the low metalwork or stone screens that delineate the choir enclosure in early medieval Italian cathedrals and major churches. The passage through the rood screen was fitted with doors, which were kept locked except during ...
For most medieval thinkers there were four categories of interpretation (or meaning) used in the Middle Ages, which had originated with the Bible commentators of the early Christian era. [6] [9] Literal interpretation of the events of the story for historical purposes with no underlying meaning.
Throughout the Middle Ages, Bible stories were always known in the vernacular through prose and poetic adaptations, usually greatly shortened and freely reworked, especially to include typological comparisons between Old and New Testaments. Some parts of the Bible stories were paraphrased in verse by Anglo-Saxon poets, e.g. Genesis and Exodus ...
In the later Middle Ages, they became a common showpiece for the developing brassworking industry, initially mainly in the Low Countries and in Mosan art, but then spreading elsewhere. The brass Dunkeld Lectern is another notable medieval eagle lectern, made in Scotland, but taken as a trophy to and fro between Scotland and England. Medieval ...
The medieval popular Bible is a term used especially in literary studies, but also in art history and other disciplines, to encompass the wide variety of presentations of biblical material in medieval culture not directly recorded in the exegetical tradition.
13th-century Yaroslavl Gospels, with curtained ciborium in the centre; a common motif in Evangelist portraits. Images and documentary mentions of early examples often have curtains called tetravela hung between the columns; these altar-curtains were used to cover and then reveal the view of the altar by the congregation at points during services — exactly which points varied, and is often ...