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Verre églomisé [vɛʁ e.ɡlɔ.mi.ze] is a French term referring to the process of applying both a design and gilding onto the rear face of glass to produce a mirror finish. The name is derived from the 18th-century French decorator and art-dealer Jean-Baptiste Glomy [ 1 ] (1711–1786), who was responsible for its revival.
The size of individual mirrors was still small: the 17 seemingly large window-like panes in the Hall of Mirrors are in fact stitched from 357 small pieces of mirror glass. [12] In 1687, Bernard Perrot developed a process of glass casting that enabled first truly large glass mirrors, impossible to make using the traditional glass blowing process.
The John J. Kinsella Company operated from 1872 to 1931 and was one of the larger firms producing stained glass and mirrors in Chicago at the time. They specialized in ecclesiastical stained glass art and employed some 50 people, according to the publication, Frueh's Chicago Stained Glass. [1] The stained-glass windows of St. James Ev.
The designs of the glass displayed rich decoration, an elegance of figures and a precision of gestures not seen before in stained glass. [ 9 ] [ 13 ] The Sainte-Chapelle window styles found an immediate echo in the windows of other 13th century cathedrals and churches, notably Soissons Cathedral , made shortly after Sainte-Chapelle, likely by ...
One-way mirrors for upper-level observation deck viewing down into a classroom (University of Wisconsin-Eau Claire) A one-way mirror, also called two-way mirror [1] (or one-way glass, half-silvered mirror, and semi-transparent mirror), is a reciprocal mirror that appears reflective from one side and transparent from the other. The perception of ...
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