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Western-influenced music first came to China in the 1920s, specifically through Shanghai. [7] Artists like Zhou Xuan (周璇) acted in films and recorded popular songs.. When the People's Republic of China was established by the Chinese Communist Party in 1949, one of the first actions taken by the government was to denounce pop music (specifically Western pop) as decadent music. [7]
The term shídàiqǔ (時代曲) literally translates to 'songs of the era' in Mandarin Chinese.When sung in Cantonese, it is commonly referred to as jyut6 jyu5 si4 doi6 kuk1 (粵語時代曲); in Amoy Hokkien, it is known as hā-gú sî-tāi-khiok (廈語時代曲).
The 1985 RTHK Top 10 Gold Songs Awards (Chinese: 1985年度十大中文金曲得獎) was held in 1985 for the 1984 music season. This is the first ceremony to offer the "Golden Needle Award". This is the first ceremony to offer the "Golden Needle Award".
The top 10 songs (十大中文金曲) of 1980 are as follows. Song name in Chinese Artist Composer Lyricist
During the late 1960s and 1970s, Mandarin pop songs were getting more and more popular and became the mainstream of Hong Kong pop. [6] In the 1970s, Hong Kong audiences wanted popular music in their own dialect, Cantonese. Also, a Cantonese song Tai siu yan yun (啼笑姻緣) became the first theme song of a TV drama.
Mandarin popular songs that started in the 1920s were called shidaiqu (時代曲 – meaning music of the time, thus popular music), and Shanghai was the center of its production. The Mandarin popular songs of the Shanghai era are considered by scholars to be the first kind of modern popular music developed in China, [ 9 ] and the prototype of ...
Guangdong music, also known as Cantonese music (廣東音樂 Jyutping: gwong2dung1 jam1ngok6, Yale: gwóng-dūng yām-ngohk, Pinyin: Guǎngdōng yīnyuè) is a style of traditional Chinese instrumental music from Guangzhou and surrounding areas in Pearl River Delta of Guangdong Province on the southern coast of China.
Samuel Hui Koon-kit [1] [2] (born 6 September 1948), [1] usually known as Sam Hui, [1] [3] is a Hong Kong musician, singer, songwriter and actor. He is credited with popularising Cantopop both via the infusion of Western-style music and his usage of vernacular Cantonese rather than written vernacular Chinese in biting lyrics that addressed contemporary problems and concerns. [4]