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The following works are some of the most universally respected and established cornerstones of the band repertoire. All have "stood the test of time" through decades of regular performance, and many, either through an innovative use of the medium or by the fame of their composer, helped establish the wind band as a legitimate, serious performing ensemble.
49 Works for violin and orchestra, including 21 concertos, and 28 shorter works; 2 Concertos for 2 violins; Julius Röntgen. Violin Concerto in A minor (1902) Violin Concerto in D major (1925/26) Violin Concerto in F-sharp minor (1931) Amanda Röntgen-Maier. Violin Concerto in D minor in one movement (1875) Ned Rorem. Violin Concerto (1984 ...
This is a list of compositions for piano and orchestra. For a description of related musical forms , see Concerto and Piano concerto . Piano concertos and works in concertante form
This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, [1] and this led to Wq. numbers being ...
D 239, Singspiel Claudine von Villa Bella for two sopranos, two tenors, two basses, mixed choir and orchestra (1815, in three acts; incomplete – Act I: Overture and eight numbers, is extant, as well as one number from Act II and one number from Act III; remaining numbers were written, but are now lost)
A majority of the unpublished works are found in private partbooks collections. A number of 5- and 6-voice works found in the Baldwin Partbooks are rendered incomplete, as the Tenor partbook has been lost. for 3 voices: Sanctus (authenticity uncertain) for 4 voices: Alleluia. Confitemini Domino; Christe qui lux es; for 5 voices: Audivi vocem a5
This offered a unique identification of all Bach's known works, a system that was quickly adopted, for instance, by the biographers: Philipp Spitta used it complementarily to the Peters edition's numbering for the BG volumes that had appeared when he was writing his Bach-biography in the second half of the 19th century (e.g. "B. G., III., p ...
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [ 1 ] [ 2 ] although examples became more common in the nineteenth century. [ 3 ]
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