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The sayings of Jesus on the cross (sometimes called the Seven Last Words from the Cross) are seven expressions biblically attributed to Jesus during his crucifixion. Traditionally, the brief sayings have been called "words". The seven sayings are gathered from the four canonical gospels. [1] [2] In Matthew and Mark, Jesus cries out to God.
Daan Manneke: The Seven Last Words Oratorio for chamber choir (2011) Paul Carr: Seven Last Words from the Cross for soloist, choir and orchestra (2013) [9] Juan Jurado: Seven Words (2013) for mixed choir and four cellos. Rotting Christ: Ze Nigmar (2016) Richard Burchard: The Seven Last Words of Christ for choir, strings, and organ (2016) [10]
The intended place for Christ Washing the Disciples' Feet was on the right side where now is Carlo Ridolfi's copy. The painting was created in 1548/1549 for a church in Venice. [1] The church of San Marcuola commissioned Christ Washing the Disciples' Feet as a companion piece to Tintoretto's Last Supper, which still
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...
Detail showing the influence of Michelangelo's anatomy on the artist.. The painting depicts a scene from the Gospel of John in which it is narrated that at the Last Supper Jesus rose from the table, took off his cloak and tied a towel around his waist and began to wash his disciples' feet.
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The seven meditations on the Last Words are excerpted from all four gospels. The "Earthquake" movement derives from Matthew 27:51ff. Much of the work is consolatory, but the "Earthquake" brings a contrasting element of supernatural intervention—the orchestra is asked to play presto e con tutta la forza—and closes with the only fortississimo (triple forte) in the piece.
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