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J Boog found more success in 2011 with his self-titled EP that peaked at no. 3 on the Billboard reggae albums chart in July 2011. In October 2011, his second album Backyard Boogie debuted on the top of the reggae chart. [7] Backyard Boogie featured the singles "Let Me Know", "Let's Do It Again", and "Sunshine Girl". [3] "
He then partnered with long-time music manager Chris Stokes and Marques Houston, becoming Vice President and Producer at their film production company, Footage Films, where he also acted in a few films. Additionally, J-Boog has appeared in Step Up 2: The Streets, and was an ensemble cast member of an Off-Off Broadway stage production. [1]
They wrote a song called "Sunshine Girl" which was picked up by A&M Records, and in 1967 the tune hit #20 on the U.S. Billboard Hot 100 pop singles chart. [2] Among the session musicians on this recording were drummer Hal Blaine , bassist Carol Kaye , and saxophonist Steve Douglas .
"Sunshine Girl" is a song written by Geoff Stephens and John Carter and performed by Herman's Hermits. It reached #6 in Norway, #8 in the United Kingdom, #9 in New Zealand, #56 in Australia, #68 in Canada, [1] and #101 in the United States in 1968. [2] The song was produced by Mickie Most. [3]
"Sunshine" is a country folk song from 1971 by Jonathan Edwards, released as the first single from his debut album Jonathan Edwards. The single reached No. 4 on the Billboard Hot 100 chart on January 15, 1972, [ 1 ] and earned a gold record.
Income Limits 2024. Income Limits 2025. Benefit Reductions. If you're under FRA. $22,320 per year. $23,400 per year. $1 for every $2 over the limit. If you'll reach your FRA this year
Biski also gave the girl lavish gifts, such as a flute that was only supposed to be lent to students, his favorite childhood book, new clothes and cash, including $200 for Ugg boots, it says.
Sunshine Ukulele is a 2017 Irish feature film from Irish director Graham Jones about a young Irish boy who receives the gift of a ukulele from his uncle and proceeds upon a comic, suburban, mini-odyssey in which he struggles to properly identify with the nineteenth century instrument.