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Gold jewellery from the 10th century Hiddensee treasure, mixing Norse pagan and Christian symbols. Pair of "tortoise brooches," which were worn by married Viking women. Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the ...
The Vikings were active in the Nordic countries between the late Early Middle Ages and the early portion of the High Middle Ages. There are three main artistic styles from that period: Jelling style, Ringerike style, and Urnes style. Jelling is named after a Danish royal grave in Jutland and usually involves heavy animal designs. The Ringerike ...
The style or design of runestones varied during the Viking Age. The early runestones were simple in design, but towards the end of the runestone era they became increasingly complex and made by travelling runemasters such as Öpir and Visäte. A categorization of the styles was developed by Anne-Sophie Gräslund in the 1990s. [1]
Viking Runestones – Stones that mention Scandinavians who participated in Viking expeditions in western Europe, and stones that mention men who were Viking warriors and/or died while travelling in the West. Jarlabanke Runestones – a collection of 20 runestones written in Old Norse related to Jarlabanke Ingefastsson and his clan. Frösöstenen
Later Viking jewelry also starts to exhibit simplistic geometric patterns. [27] The most intricate Viking work recovered is a set of two bands from the 6th century in Alleberg, Sweden. [26] Barbarian jewelry was very similar to that of the Vikings, having many of the same themes. Geometric and abstract patterns were present in much of barbarian ...
The strap-work paneling showcases Viking tradition along with the carvings in the walls displaying fighting animals. The decorations are an essential connection between the pre-Christian Nordic traditions and the later Christianity of the Middle ages as well as representing the artistic style of Scandinavian culture.
The foremost sources of inspiration for the Dragestil style were the Viking and medieval art and architecture of Scandinavia. It had roots in the preservation of stave churches and the recent excavation of historic relics such as the Tune, Gokstad and Oseberg ships.
On stylistic grounds it has been dated to c. 1050, and scholars believe it was originally made to be used as a weather vane on a Viking ship. [3] [4] Comparisons with other Viking-age vanes and analysis of mentions of such vanes in the Icelandic sagas indicate that a vane of this size and splendour may have been made for a large ship like a ...