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This type of spatial thinking can also be used as a metaphor for non-spatial tasks, where people performing non-spatial tasks involving memory and imaging use spatial knowledge to aid in processing the task. [7]
A study published in 2000, observed that "the processing of the concrete domain of space could modulate the processing of the abstract domain of time, but not the other way around." The frequent use of a mental metaphor connects it to the abstract concept and helps the mind to store non-concrete informations in the long-term memory. [11]
One of Fuller's clearest expositions on "the geometry of thinking" occurs in the two-part essay "Omnidirectional Halo" which appears in his book No More Secondhand God. [ 2 ] Amy Edmondson describes synergetics "in the broadest terms, as the study of spatial complexity, and as such is an inherently comprehensive discipline."
In case study two of his book Women, Fire and Dangerous Things, Lakoff re-presented the analysis of the English word over done by Claudia Brugman in her (1981) master's thesis. Similar to the analysis of out given by Johnson, Lakoff argued that there were six basic spatial schemas for the English word over .
Spatial thinking is the principal complement to verbal thinking. [4] Spatial thinking aids reasoning in domains that are not, on the surface, obviously spatial. For example, spatial metaphors and diagrams can be used to understand ordered relations (e.g., the ranking of Gross National Product among developing countries) or complex hierarchical ...
George Philip Lakoff (/ ˈ l eɪ k ɒ f / LAY-kof; born May 24, 1941) is an American cognitive linguist and philosopher, best known for his thesis that people's lives are significantly influenced by the conceptual metaphors they use to explain complex phenomena.
Visual metaphors are a type of metaphor. There are two types: spatial metaphors and stylistic metaphors. [6] Spatial visual metaphors include where objects are located, their size, whether they are abstract or realistic, and how it is arranged in respect to other objects. Stylistic visual metaphors are more about how they look specifically.
Metaphorical framing is a particular type of framing that attempts to influence decision-making by mapping characteristics of one concept in terms of another. [1] [2] [3] The purpose of metaphorical framing is to convey an abstract or complex idea in easier-to-comprehend terms by mapping characteristics of an abstract or complex source onto characteristics of a simpler or concrete target.