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The Five Satins are an American doo-wop group, best known for their 1956 million-selling song "In the Still of the Night." [ 1 ] They were formed in 1954 and continued performing until 1994. When it was formed, the group consisted of six members, which was eventually cut down to five.
The original Five Satins version of the song featured prominently in Martin Scorsese's 2019 epic crime film The Irishman, including the opening scene and end credits. It is the first track on the film's soundtrack album , released by Sony Music on November 8, 2019.
The song was written by Fred Parris, the lead singer of The Five Satins, and has been rerecorded by Boyz II Men and featured in the movie Dirty Dancing. Gilles Petard - Getty Images
"To the Aisle" is a 1957 song recorded by The Five Satins with songwriting credits to group members Jim Freeman, Jessie Murphy, Bill Baker, Tommy Killebrew, and John Brown. The arrangement included an alto saxophone and an oboe played in harmony during the bridge and the oboe at the song's closing, very unusual for the time.
"Lost in the Fifties Tonight (In The Still of the Night)" is a single released by country music singer Ronnie Milsap. It is a medley of "Lost in the Fifties Tonight" written by Mike Reid and Troy Seals and The Five Satins' 1956 hit "In the Still of the Night", written by Five Satins lead singer Fred Parris.
I'm in Love Again (song) I'm Not a Juvenile Delinquent; I'm Stickin' with You; I've Got a New Heartache; I've Grown Accustomed to Her Face; If Jesus Came to Your House; In Heaven There Is No Beer; In the Middle of the House; In the Still of the Night (The Five Satins song) It Only Hurts for a Little While; It's Too Late (Chuck Willis song)
I Need You (Paris Hilton song) I Really Love You; I Want You (Janet Jackson song) I Won't Say (I'm in Love) I Wonder Why; I'm on the Outside (Looking In) I'm So Young; In My Room; In the Still of the Night (The Five Satins song) It's Still Rock and Roll to Me; It's Too Late (Carole King song) It's Too Soon to Know
[5] "Simultaneously an evocative mood piece and a joyous tribute to the doo wop groups of the '50s", [6] the song depicts the Magrittes as secret admirers of the Penguins, the Moonglows, the Orioles, and the Five Satins. The lyrics refer to this as "the deep forbidden music they've been longing for" and says that others also "have (it) hidden ...