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Basic step pattern lifting the right knee; Repeat above two steps in the opposite direction; Lula nane (Lulum, lulum) Basic step pattern moving in a wedge-shaped pattern: diagonally in to the right, rotate counterclockwise in place, diagonally out from the center, clockwise (left) towards the starting point. (The dancers don't end up where they ...
The tunes of the ballads are in sixth bars and accompanied by a rhythmical, monotonous stamping of the feet. The most common version of the dance is the “stígingarstev” [stamping dance step]. This consists of the dancers slowly moving to their left, with six dance steps between the bars: Left foot makes a step forward (to the left)
Hence literally Chavittu Nadakam means 'Stamping Drama'. Great stress is laid on the step, which goes in harmony with the songs. In these art forms there is a great importance for dance and art. Foot stamping dance, fighting and fencing are the essential part of Chavittunadakam. Royal dresses and ornamental costumes are necessary.
The second half of the six-count pattern begins with a small leaping step (count 4) along the line of dance, so the leader faces forward on the line of dance. The left leg now reaches straight forward (count 5; pointing left toe, bending right knee, etc.), directly under the partner's right leg, which is extended back.
Ira Bernstein (born 1959 in Malverne, New York) is a dancer and teacher in the United States who specializes in traditional American dance forms such as Appalachian-style clogging, flatfoot dancing, tap dance, and step dancing. He is considered an authority on clogging, and the leading figure in this dance style.
Individual dancers are free to improvise variations to the basic step, mostly during the fourth and fifth beats of measures 2 and 3, for example replacing the pause with a foot slap (plesni) or a jump apart and then jump together (hlopchi). The musicians often speed up the music during the dance as a challenge to the dancers.
Lezginka, also spelled Lezghinka, folk dance originating among the Lezgin people of the North Caucasus. It is a male solo dance (often with a sword) and also a couple dance. The man, imitating the eagle, falls to his knees, leaps up, and dances with concise steps and strong, sharp arm and body movements.
There are many variations to the steps and the dancers have a lot of leeway, heavily improvising. Typical step motifs include basic triple step, cross step, cheat step-crossing, hop up and hop down. [6] The dance has 8 measures (4 to the right, 4 to the left). The musical phrasing also has 8 measures, so that the dance and music rhythm overlap.