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"Back Door Man" is a blues song written by American musician Willie Dixon and recorded by Howlin' Wolf in 1960. The lyrics draw on a Southern U.S. cultural term for an extramarital affair. The song is one of several Dixon-Wolf songs that became popular among rock musicians, including the Doors who recorded it for their 1967 self-titled debut album.
The book The Doors, by the remaining Doors, quotes Morrison's close friend Frank Lisciandro as saying that too many people took a remark of Morrison's that he was interested in revolt, disorder, and chaos "to mean that he was an anarchist, a revolutionary, or, worse yet, a nihilist. Hardly anyone noticed that Jim was paraphrasing Rimbaud and ...
Their performance was taped for later broadcast. From December 26 to 28, the group played at the Winterland Ballroom in San Francisco; during one set, in the middle of "Back Door Man", the band stopped performing to watch themselves on The Jonathan Winters Show on a television set wheeled onto the stage. [49] [50]
The concert is one of the longest live performances by the Doors. Among the 25 songs played that night, the group played eight blues standards such as "Back Door Man", Junior Parker's "Mystery Train" and "Crossroads" by Robert Johnson.
L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971, by Elektra Records.It is the last to feature lead singer Jim Morrison during his lifetime, due to his death exactly two months and two weeks following the album's release, though he would posthumously appear on the 1978 album An American Prayer.
The Doors is the debut studio album by the American rock band the Doors, released on January 4, 1967, by Elektra Records. It was recorded in August and September 1966 at Sunset Sound Recorders , in Hollywood, California, under the production of Paul A. Rothchild .
"Back Door Man" – excerpt from The Doors Are Open, Roundhouse, London, September 1968 "Light My Fire" – performance from The Ed Sullivan Show September 17, 1967 "Celebration of the Lizard – excerpt from The Doors Are Open, Roundhouse, London, September 1968 "When the Music's Over" – excerpt from Hollywood Bowl, July 5, 1968
According to the biography No One Here Gets Out Alive, Morrison hated the album cover for Absolutely Live.He had changed his appearance dramatically since the band's early days, growing a beard and discarding his onstage leather attire in an attempt to overcome his "rock god" image, but was dismayed to find that his record label opted for an earlier photograph of him for the cover.