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Four years later, Speckles has scraped by on his own, scavenging and raiding nests. One day while attempting to steal food from One-Eye, Speckles encounters a female Tarbosaurus named "Blue-Eyes" and the pair team up to hunt and survive together. Over the years, Speckles and Blue-Eyes attempt to maintain a hunting territory away from One-Eye.
Jacqui Duncan as Speckles Jr. (A.k.a Junior), [10] an infant Tarbosaurus who is the last offspring of Speckles and Blue-Eyes. He is a kind yet cowardly Tarbosaur with hydrophobia. He later overcomes this fear and gains his courage when he and his friends escape the compound, and finally reunites with Dusty at the beast's lair, going as far as ...
The song was a favorite of Warner Bros. animators, appearing in at least eight WB cartoons, between 1942 and 1952. They included Crazy Cruise (1942), The Squawkin' Hawk (1942), A Tale of Two Kitties (1942), Bugs Bunny Nips the Nips (1944), The Big Snooze (1946), Roughly Squeaking (1946), Gorilla My Dreams (1948), and Kiddin' the Kitten (1952).
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The English band The Unthanks recorded a version of this song on their 2015 album Mount the Air, [16] and the song appeared in the BBC series Detectorists, and the 4th season of the HBO series True Detective. The American alternative rock band The Innocence Mission featured a song called "One for Sorrow, Two for Joy" on their 2003 album Befriended.
So Little One Eye was sent to go with Little Two Eyes when she drove the goat to pasture to see if someone was giving her food and drink. Little Two Eyes suspected this was the reason Little One Eye was accompanying her and so sang Little One Eye a song to make her one eye fall asleep. Little Two Eyes then summoned the table and ate as before.
He tells the group that the amount of items offered will be determined by a rock draw. Items 1-5 are guaranteed, but beyond that, there could be anywhere between 6-15 total items.
Musically, Spin described the song as "an orchestral power-rocker of sorts, alternating sunnier, almost glam-like chord progressions with more traditional hard rock gestures". [3] The song was written in major key, and features a more upbeat tempo than most songs by the band. [6] [11] [12] The song features driving percussion, dark guitar parts ...