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Wedding invitations are one of the earliest personal applications of Tamil print media. [1] These invitation cards are used for announcing the marriage ceremony, and this process of sending an invitation card to guests and relatives forms an integral part of the ritual. The cards stand out due to their unique patterns, colors and symbols.
The first invitation is sent to the family deity as a respect to the lord. [3] Deva Nimantrana: Nimantrana or Invitation marks the public announcement of the marriage function. As per Odia custom, the first card is sent to the family divinity. Usually the first card is placed before Lord Jagannath.
The whole ceremony [clarification needed] was [clarification needed] timed around an auspicious time (Muhurat) for this step and a few decades ago the wedding invitation would even list the time when this event was going to take place.
Khaja, plain or sweet mentioned in Silao, was a wheat flour preparation fried in ghee similar to Chandrakala, a flaky dessert from South India. [1] Khaja is believed to have originated from the eastern parts of the former state of Magadh and the former United Provinces and Magadh.
The invitation is typically a note card, folded in half, or perhaps French folded (folded twice, into quarters). Other options include a sheet of paper, a tri-fold , or a trendy pocket-fold design. The appropriate paper density depends on the design but typically ranges from heavy paper to very stiff card stock.
The design itself serves multiple purposes; a copper lota is commonly used in Indian religious ceremonies, such as yajna during puja, for wedding rituals, and other sacred traditions. It is also used for serving water and liquor.
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There are multiple versions of the story behind the origin of Karam Puja. Anthropologist Hari Mohan writes that after the rituals are over, the karam story is narrated to boys and girls. The story behind the festival, according to Mohan, is this: [17] Once upon a time there were seven brothers who labored hard at agriculture work.
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