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The song was a series of firsts for the 20-year-old Wonder: "Signed, Sealed, Delivered (I'm Yours)" was the first single Wonder produced on his own, and was also the first to feature his female backup singing group composed of Lynda Tucker Laurence (who went on to become a member of The Supremes), Syreeta Wright (who also co-wrote the song and ...
Signed, Sealed & Delivered is the twelfth studio album by American recording artist Stevie Wonder, released on August 7, 1970, by Tamla Records.The album featured four hits that hit the Billboard Hot 100: "Signed, Sealed, Delivered I'm Yours" (No. 3), "Heaven Help Us All" (No. 9), "Never Had a Dream Come True" (No. 26) and Wonder's cover of The Beatles' "We Can Work It Out" (No. 13).
Garrett is a Mississippi born singer, composer and radio D.J., and a graduate of the Missouri School for the Blind. [1] [2]In addition to his part in composing "Signed, Sealed, Delivered I'm Yours", [3] he wrote several songs with Stevie Wonder, including the Jermaine Jackson song "Let's Get Serious", [4] and for The Spinners, "It's a Shame". [5]
Thirteen Signed, Sealed, Delivered movies aired between 2013 and 2021. Additionally, there was a short-lived series of the same name that lasted one season in 2014.
Joyful Noise is the soundtrack album to the 2012 film of the same name, starring Queen Latifah and Dolly Parton.The soundtrack was released on January 10, 2012, by WaterTower Music and contains three original compositions by Parton.
Fans of Hallmark Mystery's Signed, Sealed, Delivered series, known affectionately as the POstables, are dancing in the streets as of late. After an almost three-year drought, the series is headed ...
Eric Mabius has portrayed Oliver O’Toole in more than 10 Signed, Sealed, Delivered movies — but he’s seeing a new side of his character now that he’s said “I do.” “Oliver is a ...
"Signed Sealed and Delivered" is a song by Cowboy Copas (co-credited to Lois Mann). [1] Copas recorded a hit version for King Records, which reached number two on the Most Played Juke Box Folk Records chart in 1948. Copas re-recorded the song in 1961 for Starday Records, in Stereophonic Sound, and with a more modern (for the times) style.