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The Chi Rho is formed by superimposing the first two (capital) letters chi and rho (ΧΡ) of the Greek word "ΧΡΙΣΤΟΣ", meaning Christ, in such a way to produce the monogram. Widespread in ancient Christianity, it was the symbol used by the Roman emperor Constantine I as vexillum (named Labarum ).
A cross with a figure of Christ affixed to it is termed a crucifix and the figure is often referred to as the corpus (Latin for "body"). The term Greek cross designates a cross with arms of equal length, as in a plus sign, while the Latin cross designates a cross with an elongated descending arm.
The Druze strictly avoid iconography, but use five colors ("Five Limits") on their Druze star and Druze flag as a religious symbol: [7] [8] [9] green, red, yellow, blue, and white. Each color pertains to a metaphysical power called ḥadd , literally "a limit", as in the distinctions that separate humans from animals, or the powers that make ...
In Eastern Christianity, the most widely used Christogram is a four-letter abbreviation, ΙϹ ΧϹ—a traditional abbreviation of the Greek words for 'Jesus Christ' (i.e., the first and last letters of each of the words ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ, with the lunate sigma 'Ϲ' common in medieval Greek), [23] and written with titlo (diacritic ...
Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
In Byzantine art, color was used to convey spiritual and emotional meaning. Raphael's use of color in the "Transfiguration of Jesus" reflects this tradition, as he employs vivid hues to symbolize the divine light that surrounds Christ during his transfiguration. The brilliant white of Christ's robes, the golden-yellow of his halo, and the ...
The Chi Rho (☧, English pronunciation / ˈ k aɪ ˈ r oʊ /; also known as chrismon [1]) is one of the earliest forms of the Christogram, formed by superimposing the first two (capital) letters—chi and rho (ΧΡ)—of the Greek ΧΡΙΣΤΟΣ (rom: Christos) in such a way that the vertical stroke of the rho intersects the center of the chi.
Vestments in different liturgical colours. Liturgical colours are specific colours used for vestments and hangings within the context of Christian liturgy.The symbolism of violet, blue, white, green, red, gold, black, rose, and other colours may serve to underline moods appropriate to a season of the liturgical year or may highlight a special occasion.