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  2. Audio crossover - Wikipedia

    en.wikipedia.org/wiki/Audio_crossover

    A third- or fourth-order acoustic crossover often has just a second-order electrical filter. This requires that speaker drivers be well behaved a considerable way from the nominal crossover frequency, and further that the high-frequency driver be able to survive a considerable input in a frequency range below its crossover point.

  3. Midwoofer-tweeter-midwoofer - Wikipedia

    en.wikipedia.org/wiki/Midwoofer-tweeter-midwoofer

    The midwoofer-tweeter-midwoofer loudspeaker configuration (called MTM, for short) was a design arrangement from the late 1960s that suffered from serious lobing issues that prevented its popularity until it was perfected by Joseph D'Appolito as a way of correcting the inherent lobe tilting of a typical mid-tweeter (MT) configuration, at the crossover frequency, unless time-aligned. [1]

  4. Loudspeaker time alignment - Wikipedia

    en.wikipedia.org/wiki/Loudspeaker_time_alignment

    In 1975 Ed Long [1] in cooperation with Ronald J. Wickersham invented the first technique to Time-Align a loudspeaker systems. In 1976 Long presented "A Time-Align Technique for Loudspeakers System Design" [2] at the 54th AES convention demonstrating the use of the Time-Align generator to design improved crossover networks for multi-way loudspeakers systems.

  5. Linkwitz–Riley filter - Wikipedia

    en.wikipedia.org/wiki/Linkwitz–Riley_filter

    This is the biggest advantage of L-R crossovers compared to even-order Butterworth crossovers, whose summed output has a +3 dB peak around the crossover frequency. Since cascading two n th -order Butterworth filters will give a (2 n ) th -order Linkwitz–Riley filter, theoretically any (2 n ) th -order Linkwitz–Riley crossover can be designed.

  6. Acoustic lobing - Wikipedia

    en.wikipedia.org/wiki/Acoustic_lobing

    Acoustic lobing refers to the radiation pattern of a combination of two or more loudspeaker drivers at a certain frequency, as seen looking at the speaker from its side.In most multi-way speakers, it is at the crossover frequency that the effects of lobing are of greatest concern, since this determines how well the speaker preserves the tonality of the original recorded content.

  7. Acoustic transmission line - Wikipedia

    en.wikipedia.org/wiki/Acoustic_transmission_line

    An acoustic transmission line is the use of a long duct, which acts as an acoustic waveguide and is used to produce or transmit sound in an undistorted manner. Technically it is the acoustic analog of the electrical transmission line , typically conceived as a rigid-walled duct or tube, that is long and thin relative to the wavelength of sound ...

  8. Cutoff frequency - Wikipedia

    en.wikipedia.org/wiki/Cutoff_frequency

    The cutoff frequency of the TM 01 mode (next higher from dominant mode TE 11) in a waveguide of circular cross-section (the transverse-magnetic mode with no angular dependence and lowest radial dependence) is given by = =, where is the radius of the waveguide, and is the first root of (), the Bessel function of the first kind of order 1.

  9. Speed of sound - Wikipedia

    en.wikipedia.org/wiki/Speed_of_sound

    The speed has a weak dependence on frequency and pressure in dry air, deviating slightly from ideal behavior. In colloquial speech, speed of sound refers to the speed of sound waves in air. However, the speed of sound varies from substance to substance: typically, sound travels most slowly in gases, faster in liquids, and fastest in solids.