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No dejaré de quererte, Llorona Y, aunque la vida me cueste No dejaré de quererte, Llorona Y, aunque la vida me cueste De las arcas de la fuente ¡Ay, Llorona! corre el agua y nace la flor; si preguntan quién canta ¡Ay, Llorona! les dices que un desertor, que viene de la campaña ¡Ay, Llorona! (viene) en busca de su amor. Me subí al pino ...
Statue of La Llorona on an island of Xochimilco, Mexico, 2015. La Llorona (Latin American Spanish: [la ʝoˈɾona]; ' the Crying Woman, the Weeping Woman, the Wailer ') is a vengeful ghost in Mexican folklore who is said to roam near bodies of water mourning her children whom she drowned in a jealous rage after discovering her husband was unfaithful to her.
Aguilar gained notable recognition after performing "La Llorona" at the 19th Annual Latin Grammy Awards in 2018. Her paternal grandparents are the actors and singers from the Golden Age of Mexican cinema, Antonio Aguilar and Flor Silvestre. Her debut solo studio album, Primero Soy Mexicana (2018), was met with critical acclaim and success.
Alejandro Sela, Lhasa's father, received his doctorate on literature of the Spanish conquest of the Aztec Empire and taught her of the legend of La Llorona. [1] This is the folktale of the crying woman, resembled the mythological wife of Quetzalcoatl who has lost her children. For Lhasa, La Llorona comes from the omen of conquerors.
La Llorona is an album by Mexican singer Chavela Vargas. It was recorded in Madrid and released in 1994 by WEA. Vargas was accompanied on the recording by guitarists Marcela Rodríguez and Oscar Ramos. [1] [2] National Public Radio called it one of her strongest albums. [3]
La_Llorona,_interpretada_con_kalimba_y_piano_de_juguete_sintetizados.ogg (Ogg Vorbis sound file, length 58 s, 323 kbps, file size: 2.24 MB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
The album that the group was recording was released, under the name of La Llorona Loca (The Crazy Cryer). Remarkably, despite the dire diagnosis he had been given, Diaz finished recording the album as well as the album's title song and went on tour with the band once again, also participating on a video which was recorded for La Llorona Loca.
Concrete Blonde y Los Illegals is a 1996 collaborative album by American musicians Johnette Napolitano and James Mankey of Concrete Blonde, who joined forces with Los Illegals. The album contains a blend of the gothic-influenced alternative rock of Concrete Blonde and the Chicano punk of Los Illegals. The lyrics are mostly in Spanish. [1]