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Vishnu Prabhakar (21 June 1912 – 11 April 2009) was a Hindi writer. He had several short stories, novels, plays and travelogues to his credit. Prabhakar's works have elements of patriotism, nationalism and messages of social upliftment. He was the First Sahitya Academy Award winner from Haryana. [1]
The Kendriya Vidyalayas are a network of central government-overseen schools in India, formed under the aegis of the Ministry of Education, affiliated to the Central Board of Secondary Education (CBSE), headquartered in New Delhi.
Ramcharitmanas is considered by many as a work belonging to the Saguna school [5] [6] of the Bhakti movement [7] [8] [n 1] in Hindi literature. In May 2024, during the tenth meeting of the Memory of the World Committee for Asia and the Pacific, the Ramcharitamanas manuscripts were added to UNESCO's Memory of the World Asia-Pacific Regional ...
Ashadh Ka Ek Din (Hindi: आषाढ़ का एक दिन, One Day in Ashadh) is a Hindi play by Mohan Rakesh that debuted in 1958 [1] and is considered the first Modern Hindi play. [2] The play received a Sangeet Natak Akademi Award for best play in 1959 and has been staged by several prominent directors to critical acclaim. [ 1 ]
The Sun's Seventh Horse (Hindi: सूरज का सातवाँ घोड़ा; Suraj Ka Satvan Ghoda) is a 1952 Hindi meta fiction novel by Dharamvir Bharati, one of the pioneers of modern Hindi literature. [1] The novel presents three related narratives about three women: Jamuna, Sati, and Lily.
Dosti (transl. Friendship) is a 1964 Indian Hindi-language drama film directed by Satyen Bose, produced by Tarachand Barjatya, and distributed by Rajshri Productions.The film focuses on the friendship between two boys: one blind (Sudhir Kumar Sawant) and the other physically disabled (Sushil Kumar).
The parva is a chronicle of the twelve-year journey of the Pandavas in a forest, where they learn life lessons and build character. [ 7 ] Vana Parva contains discourses on virtues and ethics ; myths of Arjuna , Yudhishthara , and Bhima ; and the tales of " Nahusha the Snake and Yudhishthira" and "Ushinara and the Hawk".
The samavadi or samvadi is the second-most prominent (though not necessarily second-most played) note of a raga in Indian classical music. [1] The primary note of the raga is the vadi; the vadi and samavadi are in most cases a fourth or fifth apart.