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The Arado Ar 234 Blitz (English: lightning) is a jet-powered bomber designed and produced by the German aircraft manufacturer Arado. It was the world's first operational turbojet -powered bomber, seeing service during the final years of the Second World War .
Listed to compete at the 1968 Cannes Film Festival: A beszélő köntös: Tamás Fejér: István Iglódi, Antal Páger: Agitátorok : Dezső Magyar: Gábor Bódy, Tamás Szentjóby, György Cserhalmi: Banned after release Fényes szelek: Miklós Jancsó: Hosszú futásodra mindig számíthatunk: Gyula Gazdag: Isten hozta, őrnagy úr: Zoltán ...
Unfortunately for Arado, most of their other designs were passed over in favour of stronger products from their competitors, such as Germany's only heavy bomber fielded during the war, the Heinkel He 177, for which Arado was the primary subcontractor. Perhaps Arado's most celebrated aircraft of the war was the Ar 234, the first jet-powered ...
The Arado Ar 240 was a German twin-engine, multi-role heavy fighter aircraft, developed for the Luftwaffe during World War II by Arado Flugzeugwerke. Its first flight was on 10 May 1940, [ 1 ] but problems with the design hampered development, and it remained only marginally stable throughout the prototype phase.
Hungarian Rhapsody (Hungarian: Magyar rapszódia) is a 1979 Hungarian drama film directed by Miklós Jancsó. It was entered into the 1979 Cannes Film Festival. [1] It won Golden Peacock (Best Film) at the 7th International Film Festival of India. The film depicts "a peasant revolt in Hungary in the early twentieth century."
In Budapest in 1957, a year after the failure of the Hungarian uprising, Jung is a mid-level agent informing on many other citizens who come to report to him. He is in charge for an elaborate testing process to ascertain loyalty to Kádár's regime, but he does not realize that he is being watched and photographed too, by his superior and mentor, Marko.
West Zone (Hungarian: Nyugati övezet) is a 1952 Hungarian spy thriller film directed by Zoltán Várkonyi and starring Artúr Somlay, Ádám Szirtes and Sándor Pécsi. [1] [2] It was shot at the Hunnia Studios in Budapest. The film's sets were designed by the art director Mátyás Varga.
Damnation is generally acclaimed by film critics, and many rank it one of Tarr's finest works. Review aggregator Rotten Tomatoes reports a 94% approval rating based on 17 reviews. Michael Atkinson of Village Voice called the film "a serotonin-depleted ordeal, and yet seemingly a sketchbook of vibes and ideas to come, with some of the most ...