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Samples of Calligraphic Script typefaces Typeface name Example 1 Example 2 Example 3 American Scribe: AMS Euler Designer: Hermann Zapf, Donald Knuth: Apple Chancery Designer: Kris Holmes: Brush Script Designer: Robert E. Smith : Cézanne Designer: Michael Want, Richard Kegler: Coronet Designer: R. Hunter Middleton: Declaration Script: Declare ...
Bodoni is used in the logos for luxury brands Calvin Klein and Zara, as well as throughout the in-store signage of Canadian bookstore Chapters. A variation of Bodoni designed by Matthew Carter , called "Stilson" (originally "Postoni" during its period of exclusivity), is the primary headline font for The Washington Post newspaper.
Garamond is a group of many serif typefaces, named for sixteenth-century Parisian engraver Claude Garamond, generally spelled as Garamont in his lifetime. Garamond-style typefaces are popular and particularly often used for book printing and body text. Garamond's types followed the model of an influential typeface cut for Venetian printer Aldus ...
Palatino and Aldus compared in digital versions. The differences are quite subtle. Aldus is an old-style serif design, popular for use in book printing. Compared to Palatino, released some years earlier, it has a more condensed design lighter in colour, more graceful and refined and better suited to the high average quality of book printing.
Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. [1] It was designed as a contribution on the New Frankfurt-project.It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period.
Hermann Zapf. Foundry. ITC. ITC Zapf Chancery is a family of script typefaces designed by the type designer Hermann Zapf and marketed by the International Typeface Corporation. It is one of the three typefaces designed by Zapf that are shipped with computers running Apple's Mac OS. [1] It is also one of the core PostScript fonts.
Times New Roman is a serif typeface.It was commissioned by the British newspaper The Times in 1931 and conceived by Stanley Morison, the artistic adviser to the British branch of the printing equipment company Monotype, in collaboration with Victor Lardent, a lettering artist in The Times's advertising department.
Typefaces based upon their style of writing appear late in the eighteenth century and early nineteenth century. Contemporary revivals of formal script faces can be seen in Kuenstler Script and Matthew Carter 's typeface Snell Roundhand. These typefaces are frequently used for invitations and diplomas to effect an elevated and elegant feeling.
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