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In ancient Greek religion and mythology, the twelve Olympians are the major deities of the Greek pantheon, commonly considered to be Zeus, Poseidon, Hera, Demeter, Aphrodite, Athena, Artemis, Apollo, Ares, Hephaestus, Hermes, and either Hestia or Dionysus. [2] They were called Olympians because, according to tradition, they resided on Mount ...
[4] [6] Early-modern scholars of classical mythology attempted to argue that Aphrodite's name was of Greek or Indo-European origin, but these efforts have mostly been abandoned. [6] Aphrodite's name is generally accepted to be of non-Greek (probably Semitic) origin, but its exact derivation cannot be determined with confidence. [6] [7]
Aphrodite's winged little son Eros, the god of romantic love, is similarly trying to assist his mother fight off her assaulter by grasping Pan's right horn and pushing him away. [ 1 ] [ 3 ] Pan leans on a tree trunk (the statue's marble support) covered with animal's skin, and has left his hunting stick at the foot of the trunk. [ 1 ]
Antheia (Ancient Greek: Ἀνθεία) or Anthea is one of the Charites, or Graces, in Greek mythology and the goddess of swamps and flowery wreaths. She is the daughter of Zeus and Eurynome. She was depicted in Athenian vase painting as one of the attendants of Aphrodite. [1]
The story is the basis of an earlier opera, Il pomo d'oro, in a prologue and five acts by the Italian composer Antonio Cesti, with a libretto by Francesco Sbarra (1611–1668). Aphrodite taunts Hera and Athena with the Apple, relief in the Achilleion, Corfu.
In Ancient Greek religion and mythology, the Erotes (/ ə ˈ r oʊ t iː z /; Ancient Greek: ἔρωτες, érōtes) are a collective of winged gods associated with love and sexual intercourse. They are part of Aphrodite's retinue. Erotes is the plural of Eros ("Love, Desire"), who as a singular deity has a more complex mythology.
In Greek mythology, Peitho (Ancient Greek: Πειθώ, romanized: Peithō, lit. 'Persuasion' or 'winning eloquence' [1]) is the personification of persuasion. [2] She is typically presented as an important companion of Aphrodite. Her opposite is Bia, the personification of force. [3]
Aphrodite is a divinity, not a mortal woman. He suggested that a goddess conveys a sense of sexuality by covering herself in order to maintain power. [9] For example, Athena remains a virgin because she is placed within the masculine world of power: she plays a significant role in war and the protection of cities.