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The band then travelled to Spain twice in 1980 to do TV and promotion work. [2] [failed verification] The band undertook a gruelling tour of Germany in October/November 1980, having to drive hundreds of miles between gigs with no roadies: this was the main reason given by both Orzabal and Smith for quitting Graduate after their return to ...
In late 2006, College Music Journal featured The Graduate on the cover of the CMJ New Music Report for being the most added band to college radio stations during the week of December 3, 2006. 167 stations added their EP, Horror Show to their airplay lineup in total. [4] On April 6, 2007, Spin named The Graduate its Band of the Day. [5]
The Graduate is a 1968 album of songs and music from the soundtrack of Mike Nichols' movie The Graduate. It includes five songs from the folk-rock duo Simon & Garfunkel , including " Mrs. Robinson ", a work in progress which Simon adapted to fit the movie, along with several instrumental pieces by Dave Grusin .
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The record became the duo's best-selling album to date. It fed off the buzz created by the release of The Graduate soundtrack album ten weeks earlier, creating an initial combined sales figure of over five million units. [42] [33] In the United Kingdom, Bookends was a number one hit. [43]
The Dwight Twilley Band produced two double one-hit wonders. The Dwight Twilley Band consisted of Americans Dwight Twilley and Phil Seymour. The duo scored a hit in 1975 with "I'm on Fire". After the two split up, they both scored hits as solo artists. Seymour experienced major success as a solo artist first with his 1981 song "Precious to Me".
The band played the song at the 25th Annual American Music Awards, changing some of the lyrics to "can I masturbate" in place of "can I graduate." In 2011, former Third Eye Blind members Cadogan and Arion Salazar performed the song and made an unofficial video.
A hit is attributed to the main artist given credit. If a single is released by two artists with the conjunction 'and' or 'versus' then both artists have equal billing (e.g. Yolanda Be Cool & DCUP, who have also been credited as Yolanda Be Cool vs. DCUP) [1] and are both counted as having a number one (in this case "We No Speak Americano") whereas if the conjunction between two artists is ...