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The artist-designer Jules Chéret (1835–1932) was a notable early creator of French Art Nouveau posters. He helped turn the advertising poster into an art form. The son a family of artisans, he apprenticed with a lithographer and also studied at the École nationale supérieure des arts décoratifs.
1907 Aleardo Villa calendar.. The JOB collection is a production of graphic works consisting of calendars, posters and postcards advertising the JOB rolling paper factory. . Artistic in character, it was illustrated by renowned painters and poster artists, mainly during the Art Nouveau
Living in Paris during the Art Nouveau period, he was widely known for his distinctly stylized and decorative theatrical posters, particularly those of Sarah Bernhardt. [4] He produced illustrations, advertisements, decorative panels, as well as designs, which became among the best-known images of the period. [5]
Some iconic Art Nouveau works include posters by Henri de Toulouse-Lautrec and Alphonse Mucha, paintings by Gustav Klimt, lamps by Louis Comfort Tiffany, and furniture by Louis Majorelle.
Articles relating to Art Nouveau, an international style of art, architecture, and applied art, especially the decorative arts.The style was most popular between 1890 and 1910 during the Belle Époque period that ended with the start of World War I in 1914.
The term Art Nouveau was first used in the 1880s in the Belgian journal L'Art Moderne to describe the work of Les Vingt, twenty painters and sculptors seeking reform through art. The name was popularized by the Maison de l'Art Nouveau ('House of the New Art'), an art gallery opened in Paris in 1895 by the Franco-German art dealer Siegfried Bing.
The Slav Epic 1930 exhibition poster. Alphonse Mucha spent many years working on The Slav Epic cycle, which he considered his life's masterwork. He had dreamed of completing such a series, a celebration of Slavic history, since the turn of the 20th century; however, his plans were limited by financial constraints.
He was regarded as a Symbolist, [3] but became better known for his posters in Art Nouveau style, most famously that for the Brussels International Exposition (1897). [4] Two of his posters, for Absinthe Robette and the Casino de Cabourg, were published in Les Maîtres de l'Affiche.
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