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Plus, the two open up about their documentary's "delicious" awkward hug with "Saturday Night Live" creator Lorne Michaels.
Box office. $3 million (US rentals) [2] Goldengirl is a 1979 American drama sci-fi sports film directed by Joseph Sargent, [3] based on the 1977 science fiction novel of the same title by Peter Lear, [3] a pseudonym of Peter Lovesey. The screenplay was by John Kohn, [3] with music by Bill Conti. [3] The film is the screen debut of Susan Anton ...
Related: Linkin Park's Mike Shinoda Says Band's 'New Chapter' with Singer Emily Armstrong Is 'Not About Erasing the Past' In the spring of 2017, as Mike was sitting next to Chester on a couch, he ...
Malapropism. A malapropism (/ ˈmæləprɒpɪzəm /; also called a malaprop, acyrologia, or Dogberryism) is the incorrect use of a word in place of a word with a similar sound, either unintentionally or for comedic effect, resulting in a nonsensical, often humorous utterance. An example is the statement attributed to baseball player Yogi Berra ...
In My Life was a 2005 Broadway musical with music, lyrics, and book by Joseph Brooks.. Described by Playbill as being "generally regarded" to be "one of the strangest shows ever to have graced a Broadway stage", [1] it told the story of a romance between a journalist with obsessive compulsive disorder and a singer-songwriter with Tourette's syndrome and later a brain tumor; as they fall in ...
This article is a part of #KanvasLive, an interactive, cross-platform content series brought to life on the Kanvas app and AOL.com. See more on coverage here.. If you want a fresh, albeit dark ...
September 14, 1940. (1940-09-14) Running time. 93 minutes. Country. United States. Language. English. No Time for Comedy is a 1940 American comedy-drama film based on the play of the same name by S. N. Behrman, starring James Stewart, Rosalind Russell, Genevieve Tobin and Charlie Ruggles.
[9] Vincent Canby of The New York Times called it "a very patchy movie—enormously funny in bits and pieces and sometimes downright dumb." [10] Variety wrote: "George Segal herein justifies superbly a reputation for comedy ability while Glenda Jackson's full-spectrum talent is again confirmed."