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The traditional Hasselblad medium format film cameras capture images on 120 film in the 6×6 cm (nominal) frame size; the actual frame size measures 56.5×56.5 mm (2.22×2.22 in), which is larger than small format 135 film, with a frame size of 36×24 mm (1.42×0.94 in). This means the crop factor for most film-based Hasselblad cameras (based ...
The Blue Marble taken with a 70-millimeter Hasselblad camera using an 80-millimeter Zeiss lens [18] [19] Hasselblad 500 EL/M "20 years in space" anniversary edition with 70 mm back, similar to the ones used in the Apollo Program. Several different models of Hasselblad cameras were taken into space, all specially modified for the task. [20]
Essentially a stand-alone episode, the film is set after the Shadow War (episode 406 "Into the Fire") and before war was declared with Earth (episode 414 "Moments of Transition"). The presence of both Dr. Franklin and Delenn , along with changes to Zack Allan 's uniform, further place the events during or just before episode 409 " Atonement ...
In 1998 Phase One launched the Lightphase. which was the first one-shot back that could compete with film in terms of quality. Resolution was 6 MP and the physical size of the CCD was full-frame 35 mm, however the back was designed to be used on Hasselblad 500-series cameras.
Hasselblad of Sweden has one of the best-known camera systems utilizing 120 and 220 film to produce 6 cm × 6 cm (2 1 ⁄ 4" × 2 1 ⁄ 4") negatives. They also produce other film backs which produce a 6 cm × 4.5 cm image; a back which uses 70mm roll film, a Polaroid Back for instant 'proofs' and even a 35mm film back.
The Acolyte (TV series) Ahsoka (TV series) Andromeda (TV series) Another Life (2019 TV series) Aryamaan – Brahmaand Ka Yodha; Ascension (miniseries) Astra Lost in Space; Atom Squad; Avenue 5; Away (TV series)
The photograph was taken from lunar orbit on December 24, 1968, 16:39:39.3 UTC, [8] [9] with a highly modified Hasselblad 500 EL with an electric drive. The camera had a simple sighting ring, rather than the standard reflex viewfinder, and was loaded with a 70 mm film magazine containing custom Ektachrome film developed by Kodak.
The Hasselblad lunar surface data camera used on the Apollo Moon missions was fitted with a Réseau plate made of glass and fitted to the back of the camera body, extremely close to the film plane. The plate was 5.4 × 5.4 cm in the film plane, which was the useful exposure area on the 70 mm film.
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