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An artist development deal (also known as a demo deal) is a recording artist contract with a record label or music publisher that promises to develop the skills and public profile of the artist. [1] [2] In exchange for development support, the recording label or publisher receives a right to future high royalties or other desirable rights. [1]
Recording contracts may include opt-out clauses for the label in the event an act's popularity dips or the act releases non-hit albums under the deal. For instance, Mariah Carey was dropped by Virgin Records and her $100 million recording deal cancelled after her first album released by the label sold poorly. [2]
United Western Recorders was a two-building recording studio complex in Hollywood that was one of the most successful independent recording studios of the 1960s. The complex merged neighboring studios United Recording Corp. on 6050 Sunset Boulevard and Western Studio on 6000 Sunset Boulevard.
Panayiotou and others v Sony Music Entertainment (UK) Ltd. ([1994] ChD 142) was a contract and entertainment law case before the High Court of Justice's Chancery Division. The plaintiff, entertainer George Michael, argued that his recording contract constituted an
The Sunset Sound Recorders complex was created by Walt Disney's Director of Recording, Tutti Camarata, from a collection of old commercial and residential buildings.At the encouragement of Disney himself, Camarata began the project in 1958, starting with a former automotive repair garage whose sloping floor would tend to reduce unwanted sonic standing wave reflections.
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A recording studio is a specialized facility for recording and mixing of instrumental or vocal musical performances, spoken words, and other sounds. They range in size from a small in-home project studio large enough to record a single singer-guitarist, to a large building with space for a full orchestra of 100 or more musicians.
Built in 1960, Starday Sound once was one of the city's busiest studios, with artists including James Brown, Dottie West and Jim Reeves recording there. [3]When the studio opened as Starday Sound in May 1960, it was Nashville's third commercial recording studio, after RCA Studios and Bradley Film and Recording Studio. [4]