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This episode is one of the few in which the soundtrack features non-diegetic music. In a slow motion sequence (also a rarity) featuring Avon, Stringer and Stinkum in the low-rises, a piece called "Wax Box Music" by Florian Mosleh is played. [5] Usually only season finales feature music not emanating from an on-screen source.
In September 2020, Dailymotion partnered with Mi Video, the global video app developed by Xiaomi. [18] The partnership will help Mi Video to increase its engagement with its audience and continue its growth momentum. Access to Dailymotion's global and regional music, entertainment, sports and news catalogues will be provided to Mi Video users. [19]
"Chapter 6: The Prisoner" is the sixth episode of the first season of the American streaming television series The Mandalorian. It was written by Rick Famuyiwa and Christopher Yost, with Famuyiwa also directing it. The episode takes place in the Star Wars universe five years after the events of Return of the Jedi (1983).
"Chapter 6" is the sixth episode of the first season of the American political thriller drama series House of Cards. Written by Sam Forman and directed by Joel Schumacher, the episode premiered on February 1, 2013, when it was released along with the rest of the first season on the American streaming service Netflix.
"The Innocents" is the sixth episode of the first season of the American superhero television series The Boys, based on the comic book series of the same name by Garth Ennis, and named after its seventh volume. It is set in a universe where superpowered individuals, known as Supes, are portrayed as corrupt individuals instead of the heroes the ...
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A second season of the anime was announced in the final episode of the first season. [5] It premiered on 12 January 2017. [6] [7] The opening theme song is "Hare-Iro Melody" by Yūsuke Yata, while the ending theme song is "Gyun to Love Song" by Kaidō 4 Kyōdai. [8]
The episode was watched by 2.64 million viewers, earning a 1.1 in the 18-49 rating demographics on the Nielson ratings scale. This means that 1.1 percent of all households with televisions watched the episode. [2] This was a 17% increase from the previous episode, which was watched by 2.25 million viewers with a 0.9 in the 18-49 demographics. [3]