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Mughal-e-Azam is a family history highlighting the differences between father and son, duty to the public over family, and the trials and tribulations of women, particularly of courtesans. According to Rachel Dwyer, author of the book Filming the Gods: Religion and Indian Cinema, the film highlights religious tolerance between Hindus and Muslims.
Distributor and color conversion company Yankee Doodle Dandy: 1942: 1986: Turner Entertainment (Color Systems Technology [4]) You Can't Take It With You: 1938: 1995: Columbia Pictures (CST Entertainment Imaging Inc.) [792] You Don't Know What You're Doin'! 1931: 1992: Turner Entertainment [793] You Nazty Spy! 1940: 2004: Columbia Pictures (West ...
In 1960, after twelve years in production, Mughal-e-Azam was released and became a huge hit at packed cinema houses across India. [1] After the release and success of Mughal-e-Azam, Asif planned yet another motion picture called Love and God, his first directorial venture to be made completely in color, and began production.
Mughal-e-Azam (lit. ' Great Mughal ' or ' Grand Mughal ') is a 1960 Indian epic historical drama film by K. Asif. It may also refer to: Mughal-e-Azam, soundtrack to the film by Naushad; Mughal-e-Azam, a Broadway-style musical based on the 1960 film; Maan Gaye Mughal-e-Azam, a 2008 Indian film
Maganlal Dresswala or Maganlal Dresswala & Co. is a noted costumer and costume designer for Bollywood productions. Established in 1926 as a small shop in Kalbadevi, Mumbai, it is most known for its period costumes, in Ram Rajya (1943) Mughal-e-Azam (1960) and Anarkali (1953), and mythological TV series Ramanand Sagar's Ramayan (1987-1988) and B.R. Chopra's Mahabharat (1988-1990).
Mughal-e-Azam, considered one of the greatest and most successful films of Bollywood, was expected to steam-roll the competition, controversially went home with just 3 wins out of its 11 nominations, including Best Film, but missed out on Best Director (for K. Asif), Best Lyricist (for Shakeel Badayuni for "Pyar Kiya To Darna Kiya"), Best ...
Later the play formed the basis for the highly successful Indian feature film Mughal-e-Azam, released in 1960. In this film produced by K. Asif, there was a twist to the story through a happy ending with Emperor Akbar finally being clement towards Anarkali. Though Imtiaz Ali Taj claimed that the film had no historical authenticity, he still ...
The film is now considered as a cult classic and has a status much similar to K. Asif's 1960 magnum opus, Mughal-E-Azam. [12] Kamal Amrohi got married for the fourth time with his physician. During his last years, he used to regularly visit the hospital for minor ailments. There he met his fourth wife, who was actually his doctor.