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Dust jackets originally displayed cover information on top of a simple binding, at a time when it was not feasible to print directly onto the binding. The role of a dust jacket has been largely supplanted by modern hardcover printing technologies, which print such information directly onto the binding.
The prints have a page height of approximately 15 cm and include the woodcut devices of Myllar and Chepman. [3] The National Library of Scotland speculates that these chapbooks may have been test-pieces for the press. Their sale would also have provided a source of income for the new enterprise. [3]
It came in a rigid mylar sleeve and a certificate of authenticity. There is a short story that fits in between No. 13 and 14 of the regular series, and is included in Bone Vol. 2: The Great Cow Race. This special also includes a Jeff Smith interview and sketches. Bone Sourcebook (1995, Image Comics, 16 pages with wrap-around cover)
The vinyl edition contained expansive artwork featuring a group of people painted using the same mylar technique used to create the leaves on the CD artwork. Since the people are placed onto the surface of the cover with a removable sticky-adhesive, the individual people could be removed from the cover and placed back onto the sleeve in any order.
The term "decal" refers to the mass-produced art transfer in two different states: 1. As manufactured, which consists of the artwork printed on the upper side of a paper or film label stock, temporarily affixed by a typically water or heat soluble adhesive to the upper side of a silicone- or other release agent-coated paper or film backing stock.
Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.
Flexography (often abbreviated to flexo) is a form of printing process which utilizes a flexible relief plate. It is essentially a modern version of letterpress, evolved with high speed rotary functionality, which can be used for printing on almost any type of substrate, including plastic, metallic films, cellophane, and paper.
For IC production in the 1960s and early 1970s, an opaque rubylith film laminated onto a transparent mylar sheet was used. The design of one layer was cut into the rubylith, initially by hand on an illuminated drafting table (later by machine ()) and the unwanted rubylith was peeled off by hand, forming the master image of that layer of the chip, often called "artwork".
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