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A figure study is a drawing or painting of the human body made in preparation for a more composed or finished work; [1] or to learn drawing and painting techniques in general and the human figure in particular. By preference, figure studies are done from a live model, but may also include the use of other references [2] and the imagination of ...
Study of the legs of a seated woman: c. 1628: Chalk: 22.6 x 17.6 cm: Rijksmuseum Amsterdam: The drawing is related to the painting W37 : The Raising of the Cross: 1628-1629: Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink: 19.3 x 14.8 cm: Museum Boijmans Van Beuningen, Rotterdam: The drawing is related ...
Aside from the legend that Pilate had made an image of Christ, the 4th-century Eusebius of Caesarea, in his Church History, provides a more substantial reference to a "first" icon of Jesus. He relates that King Abgar of Edessa (died c. 50 CE ) sent a letter to Jesus at Jerusalem, asking Jesus to come and heal him of an illness.
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Man drawing from a cast: About 1641 B359: 1: Sick woman with a large white headdress [Saskia] About 1641-42 B369: 1: Sheet of studies, with a woman lying ill in bed, etc. About 1641-42 B072: 2: The raising of Lazarus: the small plate: 1642 B082: 1: The descent from the cross: a sketch: 1642 B105: 2: St. Jerome in a dark chamber: 1642 B188: 4 ...
The Missal, by John William Waterhouse (1902), depicts a woman kneeling on a prie-dieu, a piece of furniture with a built-in kneeler. A kneeler is a cushion (also called a tuffet, hassock, genuflexorium, or genuflectorium) or a piece of furniture used for resting in a kneeling position during Christian prayer.
The Sick Man by Vasili Maximov (1881) portrays a woman kneeling in prayer before the icon corner (Tretyakov Gallery, Moscow). Grand Duchess Olga Nikolaevna of Russia with an icon corner in her bedroom (1915 or 1916, colorized by her sister Maria ).
The painting depicts a woman and a young boy saying grace in a crowded restaurant, as they are observed by other people at their table. [3] Rockwell's inspiration for Saying Grace came from a Saturday Evening Post reader who saw a Mennonite family praying in a restaurant. [1] Rockwell used his son, Jarvis, as one of the models for the painting. [1]