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The Opera Game was a chess game played in 1858 at an opera house in Paris. The American master Paul Morphy played against two amateurs: the German noble Karl II, Duke of Brunswick , and the French aristocrat Comte Isouard de Vauvenargues.
' booklet ') is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term libretto is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet.
Script: the text of the dialogue and stage directions of a play; to write a play. Sense memory: in Method acting, when an actor attempts to recall memories of the physical sensations surrounding prior emotions in order to utilize emotional memory. Signs of character: the various cues that convey a character's personality, emotion or motivation.
The term "play" can encompass either a general concept or specifically denote a non-musical play. In contrast to a "musical", which incorporates music, dance, and songs sung by characters, the term "straight play" can be used. For a brief play, the term "playlet" is occasionally employed. The term "script" pertains to the written text of a play.
Since the play's original run, Shaffer extensively revised his play, including changes to plot details; the following is common to all revisions. The composer Salieri is an old man, having long outlived his fame. Speaking directly to the audience, he claims to have used poison to assassinate Mozart and promises to explain himself.
Because the play depicted biblical characters it was banned in Britain and was not performed publicly there until 1931. The play became popular in Germany, and Wilde's text was taken by the composer Richard Strauss as the basis of his 1905 opera Salome, the international success of which has overshadowed Wilde's original play. Film and other ...
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Opera originated in Italy at the end of the 16th century (with Jacopo Peri's mostly lost Dafne, produced in Florence in 1598) especially from works by Claudio Monteverdi, notably L'Orfeo, and soon spread through the rest of Europe: Heinrich Schütz in Germany, Jean-Baptiste Lully in France, and Henry Purcell in England all helped to establish their national traditions in the 17th century.