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Deep structure and surface structure (also D-structure and S-structure although those abbreviated forms are sometimes used with distinct meanings) are concepts used in linguistics, specifically in the study of syntax in the Chomskyan tradition of transformational generative grammar.
By contrast, Nietzsche opened the modernist era with a self-conscious praise of superficiality: "What is required is to stop courageously at the surface, the fold, the skin, to adore appearance, to believe in forms, tones, words, in the whole Olympus of appearance! Those Greeks were superficial – out of profundity!". [8]
Superficial (from Latin superficies ' surface ') describes something near the outer surface of the organism. [1] For example, in skin , the epidermis is superficial to the subcutis . [ 27 ]
Superficial anatomy, is the study of the external features of the body; Superficiality, the discourses in philosophy regarding social relation; Superficial charm, the tendency to be smooth, engaging, charming, slick and verbally facile; Superficial sympathy, false or insincere display of emotion such as a hypocrite crying fake tears of grief
A simple article should have, at least, (a) a lead section and (b) references. The following list includes additional standardized sections in an article. A complete article need not have all, or even most, of these elements.
1. Click the Settings icon | select More Settings. 2. Click Viewing email. 3. Under Inbox style, select Unified Inbox or use New/Old Mail. 4. Click Back to Inbox or Back to New Mail when done.
Typography is the art and technique of setting written subject matter in type using a combination of typeface styles, point sizes, line lengths, line leading, character spacing, and word spacing to produce typeset artwork in physical or digital form. The same block of text set with line-height 1.5 is easier to read: Typography is the art and technique of setting written subject matter in type ...
For example, in many varieties of American English, the phoneme /t/ in a word like wet can surface either as an unreleased stop [t̚] or as a flap [ɾ], depending on environment: [wɛt] wet vs. [ˈwɛɾɚ] wetter. (In both cases, however, the underlying representation of the morpheme wet is the same: its phonemic form /wɛt/.)