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The major seventh chord, sometimes also called a Delta chord, can be written as maj 7, M 7, Δ, ⑦, etc. The "7" does not have to be superscripted, but if it is, then any alterations, added tones, or omissions are usually also superscripted. For example, the major seventh chord built on C, commonly written as Cmaj 7, has pitches C–E–G–B:
Dominant seventh chords are often built on the fifth scale degree (or dominant) of a key. For instance, in the C major scale, G is the fifth note of the scale, and the seventh chord built on G is the dominant seventh chord, G 7 (shown above). In this chord, F is a minor seventh above G.
Five of the most common seventh chord, all built on C: major (C Δ7), dominant (C 7), minor (C– 7), half-diminished (C ø 7), and diminished (C o 7) A seventh chord is a triad with a seventh . The seventh is either a major seventh [M7] above the root, a minor seventh [m7] above the root (flatted 7th), or a diminished seventh [d7] above the ...
The scheme I-x-V-I symbolizes, though naturally in a very summarizing way, the harmonic course of any composition of the Classical period.This x, usually appearing as a progression of chords, as a whole series, constitutes, as it were, the actual "music" within the scheme, which through the annexed formula V-I, is made into a unit, a group, or even a whole piece.
When we arrange the notes of the C major scale in ascending pitch and use only these notes to build a seventh chord, and we start with G (not C), then the resulting chord contains the four notes G–B–D–F and is called G dominant seventh (G 7). The note F is a minor seventh from G, and is also called the dominant seventh with respect to G.
Harmonic minor contains seven types of seventh chords: a minor major seventh chord (i m(maj7)), a half-diminished seventh chord (ii m7(−5)), an augmented major seventh chord (III aug(maj7)), a minor seventh chord (iv m7), a dominant seventh chord (V 7), a major seventh chord (VI maj7), and a diminished seventh chord (vii dim7).
The chord a minor third above, ♭ VII 7, may be substituted for the dominant, and may be preceded by its ii: iv 7. [16] Due to common use the two chords of the backdoor progression (IV 7-♭ VII 7) may be substituted for the dominant chord. [11] In C major the dominant would be G7: GBDF, sharing two common tones with B ♭ 7: B ♭ DFA ♭.
In jazz, the altered scale, altered dominant scale, or super-Locrian scale (Locrian ♭ 4 scale) is a seven-note scale that is a dominant scale where all non-essential tones have been altered. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord , which are root, major third, and minor seventh ...
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