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Sonata No. 1 for solo violin (1941) Sonata No. 2 for solo violin (1958) Four Caprices for Violin Solo; Polish Caprice (1949) Johann Sebastian Bach. 3 Sonatas and 3 Partitas, for solo violin: Sonata No. 1 in G minor, BWV 1001; Partita No. 1 in B minor, BWV 1002; Sonata No. 2 in A minor, BWV 1003; Partita No. 2 in D minor, BWV 1004
Alice L. Cook's "A Note on Whitman's Symbolism in 'Song of Myself'" John B. Mason's "Walt Whitman's Catalogues: Rhetorical Means for Two Journeys in "Song of Myself" WhitmanWeb's full text in 12 languages, plus audio recordings and commentaries; Audio: Robert Pinsky reads from "Song of Myself" Archived 2019-07-31 at the Wayback Machine
Sergei Prokofiev's Violin Sonata No. 2 in D Major, Op. 94a (sometimes written as Op. 94bis), was based on the composer's own Flute Sonata in D, Op. 94, written in 1942 but arranged for violin in 1943 when Prokofiev was living in Perm in the Ural Mountains, a remote shelter for Soviet artists during the Second World War.
The Violin Concerto No. 2 in G minor, Op. 63, written in 1935 by Sergei Prokofiev, is a work in three movements: Allegro moderato; Andante assai; Allegro, ben marcato; It was premiered on 1 December 1935 at the Teatro Monumental in Madrid, by the French violinist Robert Soetens and the Madrid Symphony Orchestra conducted by Enrique Fernández ...
They are all examples of his musical nationalism, since they all contain references or similarities to Norwegian folk song. Grieg wrote the sonatas between 1865 and 1887. Violin Sonata No. 1 in F major, Op. 8 was written in Copenhagen in 1865. Violin Sonata No. 2 in G major, Op. 13 was written in Oslo (then Christiania) in 1867.
On the Dnieper (На Днепре), Op. 51, is a ballet in two scenes with prelude and epilogue by Sergei Prokofiev.Composed in 1931 [1] as his fourth work in the genre, it resulted from a commission by the Ballet de l'Opéra National de Paris after the unexpected death in 1929 of Ballets Russes founder Sergei Diaghilev and after the success of The Prodigal Son.
Concerto No. 2 in D major for 2 violins and orchestra, H. 329; Karl Marx: Concerto for 2 violins and orchestra; Wolfgang Amadeus Mozart: Concertone in C major for 2 violins and orchestra, K. 190; Mark O'Connor: Double Violin Concerto for 2 violins and symphony orchestra; Arvo Pärt: Tabula Rasa for 2 violins, prepared piano and string orchestra
Yet Ysaÿe recurrently warns violinists that they should never forget to play instead of becoming preoccupied with technical elements; a violin master "must be a violinist, a thinker, a poet, a human being, he must have known hope, love, passion and despair, he must have run the gamut of the emotions in order to express them all in his playing."