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Night Shift is Stephen King's first collection of short stories, [1] first published in 1978. In 1980, Night Shift won the Balrog Award for Best Collection, and in 1979 it was nominated as best collection for the Locus Award and the World Fantasy Award .
He invented the term haiku (replacing hokku) to refer to the freestanding 5–7–5 form which he considered the most artistic and desirable part of the haikai no renga. [ 43 ] Basho was illustrated in one of Tsukioka Yoshitoshi 's ukiyo-e woodblock prints from the One Hundred Aspects of the Moon collection, c. 1885-1892. [ 45 ]
Haiku (俳句, listen ⓘ) is a type of short form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 morae (called on in Japanese) in a 5, 7, 5 pattern; [1] that include a kireji, or "cutting word"; [2] and a kigo, or seasonal reference.
He also documented the conference and began production on a film about Haiku in English, entitled Haiku. [2] [failed verification] He hosted the national Head to head Haiku bout in Austin, Texas to the sold out audience of 300 plus at the famous blues club Antone's. He formed the first American Haiku Battle Duo with Adam 'Henzbo' Henze.
Kagami Shikō (各務 支考, 1665 – 14 March 1731), often known by the mononym Shikō, was a Japanese haiku poet of the early Edo period, known as one of Matsuo Bashō's Ten Eminent Disciples (蕉門十鉄, Shōmon juttetsu) [2] and the originator of the Shishimon school (or Mino school) of poetry. [1]
Haibun is no longer confined to Japan, and has established itself as a genre in world literature [6] [7] that has gained momentum in recent years. [8]In the Haiku Society of America 25th anniversary book of its history, A Haiku Path, Elizabeth Lamb noted that the first English-language haibun, titled "Paris," was published in 1964 by Canadian writer Jack Cain. [9]
A monument containing a haiku by Shiki, in front of Matsuyama Station. Shiki may be credited with salvaging traditional short-form Japanese poetry and carving out a niche for it in the modern Meiji period. [38] While he advocated reform of haiku, this reform was based on the idea that haiku was a legitimate literary genre. [39]
Ransetsu's poetry is low-keyed and austere, reflecting the sabi aspect of Bashō's writing, [3] but showing a real empathy with all living creatures. [4]A critical contemporary called him "a man of small calibre...he seems to have flowers, but has no fruit".