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"Dance Monkey" is a song by Australian singer Tones and I, released on 10 May 2019 as the second single (first in the US) from Tones and I's debut EP, The Kids Are Coming. The song was produced and mixed by Konstantin Kersting .
In 2021, she was also named the top songwriter of 2020 by the music rights company Blokur, thanks to the success of her song "Dance Monkey," which she wrote and produced herself. During an interview with the organization, she discussed her songwriting process, stating, "I usually start with the chords or with a line.
Welcome to the Madhouse is Watson's debut album, [9] and her first body of work since her debut EP The Kids Are Coming (2019), which featured the commercially successful single "Dance Monkey". [10] In an interview with MTV News, she said the album would be predominantly self-produced, saying: "These songs are completely me and my own production ...
Well folks, we did it — we found the man behind the purple monkey: Jamie Hert, a sound designer for Fisher Price and the brains behind the lyrics and music for all 11 songs on the Kick & Play ...
"Break My Soul" has been described as a dance-pop and house track. The song was met with critical acclaim upon release, with praise towards its production and lyrics. Its lyrical themes of personal empowerment in the face of unfulfilling jobs struck a chord with the masses during the epochal "Great Resignation". The song's impact on the public ...
"Mickey's Monkey" is a 1963 song recorded by the R&B group the Miracles on Motown Records' Tamla label. It was written and produced by Motown's main songwriting team of Brian Holland, Lamont Dozier, and Eddie Holland, who later went on to write two more Miracles hit singles, the Top 40 "I Gotta Dance to Keep From Crying", and the Top 20 "(Come 'Round Here) I'm The One You Need".
Virgin Records released the song to contemporary hit radio in the United States on May 17, 2004, as the album's third and final single. A So So Def remix featuring Elephant Man was also issued. "All Nite (Don't Stop)" is an electro-funk and house song that contains elements of samba, Latin, dance-pop, and dancehall. Jackson sings the song in a ...
Like "Mickey's Monkey", "I Gotta Dance to Keep from Crying" features a "live party" feel. The song's title is a play on the old expression, "I Gotta Laugh to Keep from Crying", highlighting the all-too-human tendency to escape from heartbreak or personal pain by dancing, laughing and having a good time.