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The Ruskin School of Art grew out the Oxford School of Art, which was founded in 1865 and later became Oxford Brookes University. [2] It was headed by Alexander Macdonald and housed in the University Galleries (subsequently the Ashmolean Museum of Art and Archaeology). [3] In 1869 John Ruskin was appointed Slade Professor of Fine Art at Oxford.
From its inaugural year 1865 until 1871, Macdonald was Master (principal) of the Oxford School of Art housed in the future Ashmolean Museum. [2] [3] When John Ruskin became Slade Professor at the University of Oxford, he was critical of the teaching methods at the school and in 1871 founded the Ruskin School of Drawing, retaining Macdonald as ...
The Story of English in 100 Words. Picador. ISBN 978-1250024206. David Crystal (2015). Wordsmiths and Warriors: The English-Language Tourist's Guide to Britain. Oxford University Press. ISBN 978-0198729136. John McWhorter (2017). Words on the Move: Why English Won't - and Can't - Sit Still (Like, Literally). Picador. ISBN 978-1250143785.
Imperial Rome and Christian Triumph: The Art of the Roman Empire AD 100-450 2nd ed: The Art of the Roman Empire AD 100-450 (2018) Jaś Elsner: 1998 The Art of Art History: A Critical Anthology "New edition" (2009) Donald Preziosi: 1998 Modern Art 1851-1929: Capitalism and Representation: Richard Brettell: 1999 Landscape and Western Art: Malcolm ...
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The Faculty of History at the University of Oxford organises that institution's teaching and research in medieval and modern history. Medieval and modern history has been taught at Oxford for longer than at virtually any other university, [ 1 ] and the first Regius Professor of Modern History was appointed in 1724.
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
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