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An older English term that was sometimes used for this meaning is afterwit; it is used, for example, in James Joyce's Ulysses (Chapter 9).. The Yiddish trepverter ("staircase words") [4] and the German loan translation Treppenwitz express the same idea as l'esprit de l'escalier.
If you are ever in a situation where you feel like someone is trying to manipulate you, don’t worry, our experts have come up with several different things you can say to stop them. Check some ...
Impossible colors are colors that do not appear in ordinary visual functioning. Different color theories suggest different hypothetical colors that humans are incapable of perceiving for one reason or another, and fictional colors are routinely created in popular culture. While some such colors have no basis in reality, phenomena such as cone ...
Image credits: gloriomono #4. Absolute stuck up brat of a girl at school, to a teacher: "Do you know who my dad is?" Teacher, without hesitating for a second: "No, does you mum?".
Social cryptomnesia, a failure by people and society in general to remember the origin of a change, in which people know that a change has occurred in society, but forget how this change occurred; that is, the steps that were taken to bring this change about, and who took these steps. This has led to reduced social credit towards the minorities ...
The colors represent a much more Arizona look, Sedona red pulled from the Red Rock State Park in Sedona, the Sonoran tan reminiscent of Sonoran sand and the desert landscape and black to accent it.
Blue–red contrast demonstrating depth perception effects 3 Layers of depths "Rivers, Valleys & Mountains". Chromostereopsis is a visual illusion whereby the impression of depth is conveyed in two-dimensional color images, usually of red–blue or red–green colors, but can also be perceived with red–grey or blue–grey images.
No Comebacks is a 1982 collection of ten short stories by English writer Frederick Forsyth.Each story takes place in a different setting and ends with a plot twist. Several of them involve a central male character without any apparent strength who is put under pressure, but who does not g