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Form perception is the recognition of visual elements of objects, specifically those to do with shapes, patterns and previously identified important characteristics. An object is perceived by the retina as a two-dimensional image, [1] but the image can vary for the same object in terms of the context with which it is viewed, the apparent size of the object, the angle from which it is viewed ...
Optical communication, also known as optical telecommunication, is communication at a distance using light to carry information. It can be performed visually or by using electronic devices . The earliest basic forms of optical communication date back several millennia, while the earliest electrical device created to do so was the photophone ...
The line from B through O indicates the chief ray of the bundle of light rays that form the optical image of B on the retina at point b, let's say, on the fovea. Likewise, endpoint A is imaged at point a. The optical (physical) angle between those chief rays is the visual angle θ which can be calculated: = /
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An optical module is a typically hot-pluggable optical transceiver used in high-bandwidth data communications applications. Optical modules typically have an electrical interface on the side that connects to the inside of the system and an optical interface on the side that connects to the outside world through a fiber optic cable.
Optical mark recognition (OMR) is the scanning of paper to detect the presence or absence of a mark in a predetermined position. [4] Optical mark recognition has evolved from several other technologies. In the early 19th century and 20th century patents were given for machines that would aid the blind. [2]
In telecommunications, an eye pattern, also known as an eye diagram, is an oscilloscope display in which a digital signal from a receiver is repetitively sampled and applied to the vertical input (y-axis), while the data rate is used to trigger the horizontal sweep (x-axis). It is so called because, for several types of coding, the pattern ...
A version of Rubin's vase. The Rubin vase (sometimes known as Rubin's vase, the Rubin face or the figure–ground vase) is a famous example of ambiguous or bi-stable (i.e., reversing) two-dimensional forms developed around 1915 by the Danish psychologist Edgar Rubin.