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The world's first film poster (to date), for 1895's L'Arroseur arrosé, by the Lumière brothers Rudolph Valentino in Blood and Sand, 1922. The first poster for a specific film, rather than a "magic lantern show", was based on an illustration by Marcellin Auzolle to promote the showing of the Lumiere Brothers film L'Arroseur arrosé at the Grand Café in Paris on December 26, 1895.
Today, posters are produced for most major films, and movie posters are some of the most actively collected. The record price for a poster was set on November 15, 2005 when US$690,000 was paid for a poster of Fritz Lang's 1927 film, Metropolis, from the Reel Poster Gallery in London. [21]
John Henry Alvin (November 24, 1948 [1] – February 6, 2008) [2] was an American cinematic artist and painter who illustrated many movie posters. [2] Alvin created posters and key art [1] for more than 135 films, beginning with the poster for Mel Brooks's Blazing Saddles (1974). [2]
Caroff created the poster design for the movie West Side Story (1961), often wrongly credited to Saul Bass who did design the animated title sequence for the film. [13] For the launch of the James Bond movie franchise in 1962, Caroff conceptualized 007 with the integral pistol which became the signature of the brand, which remains in use. [14]
Heinz Schulz-Neudamm (born Paul Heinz Otto Schulz; 7 July 1899 – 13 May 1969) was a German graphic designer and illustrator. He is best known for designing posters for films. [1]
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When someone asks what you were thinking, assume the assumption of good faith on their part. They probably really do want to know what you were thinking, because they know you had some reason for what you did. If you explain what you were thinking, they might agree with it.
The use of film as an art form traces its origins to several earlier traditions in the arts such as (oral) storytelling, literature, theatre and visual arts. Cantastoria and similar ancient traditions combined storytelling with series of images that were shown or indicated one after the other.