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Within Every Woman is a 2012 documentary by Canadian filmmaker Tiffany Hsiung on the Japanese comfort women program. Snowy Road is a 2015 South Korean film that tells the story about two teenage girls who are taken away from their homes and forced to become comfort women for the Japanese. [341]
The Statue of Peace (Korean: 평화의 소녀상; RR: Pyeonghwaui sonyeosang; Japanese: 平和の少女像, Heiwano shōjo-zō), often shortened to Sonyeosang in Korean or Shōjo-zō in Japanese (literally "statue of girl") [1] and sometimes called the Comfort Woman Statue (慰安婦像, Ianfu-zō), [2] is a symbol of the victims of sexual slavery, known euphemistically as comfort women, by ...
Diary of a Japanese Military Comfort Station Manager is a book of diaries written by a clerk who worked in Japanese "comfort stations", where the Japanese military trafficked women and girls into sexual slavery, in Burma and Singapore during World War II. The author, a Korean businessman, kept a daily diary between 1922 and 1957.
The legacy of Japan's 1910-45 colonial rule of the Korean peninsula remains politically sensitive for both sides, with many surviving "comfort women" - a Japanese euphemism for the sex abuse ...
Song Sin-do (Korean: 송신도; November 24, 1922 – December 16, 2017) was a Korean former comfort woman who had been living and campaigning in Japan for an official apology from the Japanese government. She had also recognised the need for the history of comfort women to be taught in Japanese schools to prevent a recurrence of the situation.
This is a list of people who were compelled into becoming prostitutes for the Japanese Imperial Army as "comfort women" during World War II. [1] Several decades after the end of the war, a number of former comfort women demanded formal apologies and a compensation from the Government of Japan, with varying levels of success. [2]
On June 14, 2007, a group of conservative Japanese politicians, academics, and others ran an advertisement in The Washington Post critical of the resolution. The ad was in response to a previous advertisement by a group of Korean comfort women survivors that ran in The Washington Post in support of the resolution, titled The Truth about Comfort Women.
Shimada created a 20-page artist book Comfort/Women/of Conformity (also referred to as Comfort Women, Women of Conformity) made up of photographic images and texts that juxtapose and problematize the experiences of Korean ‘comfort women’ and Japanese women during the Asia-Pacific War. [16]