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Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
Quảng Nam (55,091 people, constituting 74.27% of all Cơ Tu in Vietnam), Thừa Thiên-Huế (16,719 people, constituting 22.54% of all Cơ Tu in Vietnam) Giẻ Triêng: 0.07%: 50,962 63,322: 2.17%: Kon Tum (39,515 people, constituting 62.40% of all Giẻ Triêng in Vietnam), Quảng Nam (23,222 people, constituting 36.67% of all Giẻ ...
In 1782, the Tay Son army defeated the Nguyen lord at Can Gio gate, as a loyal follower of Nguyen lord, he supported Lord Nguyen Phuc Anh and fled to Ba Giong (Dinh Tuong). From 1784 to 1785, he followed Lord Nguyen to Siam twice to ask for help. From 1787 to 1789, Nguyen Van Thoai had merit in recapturing Gia Dinh citadel, so he was ordained ...
His often melancholic songs about love and postwar reconciliation earned new acceptance and popularity in later years. Many of his songs have been re-licensed to Vietnamese music companies such as Thúy Nga and Lang Van and sung by other artists. Two singers who are often associated with Trịnh Công Sơn are Khánh Ly and Hồng Nhung. [6]
Trương Anh Ngọc (born January 19, 1976) is a Vietnamese international news reporter, sports reporter, football commentator, writer and journalist. Anh Ngọc is known as one of the top sports reporters in Vietnam, especially about football and especially Italian football.
The provinces of Vietnam are subdivided into second-level administrative units, namely districts (Vietnamese: huyện), provincial cities (thành phố trực thuộc tỉnh), and district-level towns (thị xã).
The House of No Man (Vietnamese: Nhà bà nữ) is a 2023 Vietnamese comedy-drama film directed and co-produced by Trấn Thành.The film stars Lê Giang, Uyển Ân, Song Luân, Trấn Thành, Khả Như, Quỳnh Lý, Phương Lan, Dương Lâm, Ngọc Giàu, and Việt Anh.
Đạo is a Sino-Vietnamese word for "religion," similar to the Chinese term dao meaning "path," while Mẫu means "mother" and is loaned from Middle Chinese /məuX/. While scholars like Ngô Đức Thịnh propose that it represents a systematic worship of mother goddesses, Đạo Mẫu draws together fairly disparate beliefs and practices.