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In musical terminology, tempo (Italian for 'time'; plural 'tempos', or tempi from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmosphere.
While today the term grave is widely understood to be slower than the tempo terms largo and adagio, music theorists and composers of the 17th and 18th century were not so consistent in their interpretation and use of these terms, with some composers marking scores with grave but with performance descriptions described elsewhere that would ...
Robert Gaskins, one of the creators of PowerPoint, says he publicly demonstrated that use for the first time at a large Microsoft meeting held in Paris on February 25, 1992, by using an unreleased development build of PowerPoint 3.0 running on an early pre-production sample of a powerful new color laptop and feeding a professional auditorium ...
Examples of metric modulation may include changes in time signature across an unchanging tempo, but the concept applies more specifically to shifts from one time signature/tempo to another, wherein a note value from the first is made equivalent to a note value in the second, like a pivot or bridge.
One difficulty in defining rhythm is the dependence of its perception on tempo, and, conversely, the dependence of tempo perception on rhythm. Furthermore, the rhythm–tempo interaction is context dependent, as explained by Andranik Tangian using an example of the leading rhythm of "Promenade" from Moussorgsky's Pictures at an Exhibition:([40 ...
According to Andranik Tangian, [7] analytical phrasing can be quite subjective, the only point is that it should follow a certain logic. For example, Webern’s Klangfarbenmelodie-styled orchestral arrangement of Ricercar from Bach’s Musical offering demonstrates Webern’s analytical phrasing of the theme, which is quite subjective on the one hand but, on the other hand, logically consistent:
In chess and other chess-like games, a tempo (from Italian: tempo, lit. 'time') is a "turn" or single move (a half-move or ply made either by White or Black). When a player achieves a desired result in one fewer move, the player is said to "gain a tempo"; conversely, when a player takes one more move than necessary, the player is said to "lose a tempo".
Recitative or dialogue to an initial or basic tempo; Adagio/ Cavatina/ "Pezzo concertato" "Tempo di mezzo" (middle movement, interlude, often sounds as if it is interrupting the action with entry of a third party) [5] Cabaletta and (in the case of the final scene of an act), Finale Stretta [6] Large arias within the scene fall into this basic ...
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