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Erik Satie, seen as a precursor of minimalism as in much of his music. For example, his score for Francis Picabia's 1924 film Entr'acte consists of phrases, many borrowed from bawdy popular songs, ordered seemingly arbitrarily and repetitiously, providing a rhythmic counterpoint to the film. Alan Hovhaness; John Cage
This is a list of composers by name, alphabetically sorted by surname, then by other names.The list of composers is by no means complete. It is not limited by classifications such as genre or time period; however, it includes only music composers of significant fame, notability or importance who also have current Wikipedia articles.
This category covers minimalist composers and compositions. Pages in category "Minimalist composers" The following 64 pages are in this category, out of 64 total.
Terrence Mitchell Riley (born June 24, 1935) is an American composer and performing musician [1] best known as a pioneer of the minimalist school of composition. [2] Influenced by jazz and Indian classical music, his work became notable for its innovative use of repetition, tape music techniques, improvisation, and delay systems. [2]
Other composers with atonal pieces include Harrison Birtwistle & Peter Maxwell Davies, [54] Jacob Druckman, Barbara Kolb, [55] Henry Cowell, Claude Debussy, Brian Ferneyhough, [56] Alexander Goehr, [57] Lou Harrison, Mårten Hagström, Paul Hindemith, Karel Husa, Charles Ives, György Ligeti, Witold Lutosławski, George Perle, [58] Sergei Prokofiev, David Raksin, [59] Nikolai Roslavets, [60 ...
Christopher Hobbs – experimental and systems music composer; Tim Hodgkinson – English experimental music composer and performer; Gustav Holst – English composer; Emily Howell – computer composer; The Hub – interactive real-time computer network: John Bischoff, Tim Perkis, Chris Brown, Phil Stone, Scot Gresham-Lancaster, Mark Trayle
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La Monte Thornton Young (born October 14, 1935) is an American composer, musician, and performance artist recognized as one of the first American minimalist composers and a central figure in Fluxus and post-war avant-garde music. [1] [2] [3] He is best known for his exploration of sustained tones, beginning with his 1958 composition Trio for ...