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Affogato (/ ˌ ɑː f ə ˈ ɡ ɑː t oʊ, ˌ æ f-/), known in full in Italian as affogato al caffè (lit. ' drowned in coffee ') [1] and gelato affogato al caffè [citation needed] (lit. ' gelato drowned in coffee '), is an Italian dessert comprising a scoop of gelato or ice cream, either plain milk-flavored (fior di latte) or vanilla, topped ...
Optional extras: While the traditional affogato consists solely of gelato and espresso, incorporating toppings can elevate this simple dessert and make it a customizable treat perfect for dinner ...
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Despite the discrepancy in the number of angels, the work is traditionally held to be the "canvas of a dead Christ supported by two angels" mentioned in Vasari's Lives of the Artists as produced for Leonardo Tornabuoni, Bishop of Sansepolcro, one of several Florentine prelates at Pope Clement VII's court. Vasari did not specify the work's ...
The Body of the Dead Christ in the Tomb (and detail, lower) 30.5 cm × 200 cm. Kunstmuseum Basel. The Body of the Dead Christ in the Tomb, sometimes referred to as Dead Christ, is an oil and tempera on limewood painting created by the German artist and printmaker Hans Holbein the Younger between 1520 and 1522.
The distinctive English image, with Christ stepping on a soldier, in a 14th-century Nottingham alabaster relief. The resurrection of Jesus has long been central to Christian faith and Christian art, whether as a single scene or as part of a cycle of the Life of Christ.
Critics and many of Manet's supporters were confused by the new artistic direction that he took in the painting. The contradictions within The Dead Christ with Angels are characteristic of Manet's earlier exploration of discordances: the brightly colored angels contrast with the neutral background; the angels are not aligned; and the cloth is variously realistic and abstract.
The painting is another mirror to the Middle Ages inscriptions on images related to a Christ on the cross or the Passion of the Lord that would say, “Aspice qui transis, quia tu mihi causa doloris (look here, you who are passing by, for you are the cause of my pain).” [15] In addition to being in front of his open injuries, the fabric ...