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Bengali traditional dress encompasses the clothing traditions of the Indian state of West Bengal and the country of Bangladesh.The attire has been influenced by centuries of cultural evolution, religious practices, and geographical conditions.
A Bangladeshi Meitei woman in traditional dress. The traditional dresses worn by the Bangladeshi Meitei people (also known as Manipuris), reflect their culture and traditions, adapted to fit the local life in Bangladesh. The clothing includes special fabrics, designs, and accessories that are important to the Meitei tradition.
Bangladesh is home to a diverse range of traditional clothing which is worn by people in their everyday lives. Bangladeshi people have unique clothing preferences. Bangladeshi men traditionally wear a kurta, often called a panjabi, on religious and cultural occasions. They may also be seen wearing a shirt unique to Bangladesh called fotua.
Folk costume, traditional dress, traditional attire or folk attire, is clothing associated with a particular ethnic group, nation or region, and is an expression of cultural, religious or national identity. If the clothing is that of an ethnic group, it may also be called ethnic clothing or ethnic dress.
Tant sari is a traditional Bengali sari, originating from the Bengal region in the eastern part and usually used by Bengali women. Tant sari are woven from cotton threads and distinguished by its lightness and transparency. It is considered to be the most comfortable sari for the hot and humid climate in the Indian subcontinent. [1]
Pages in category "Bangladeshi clothing" The following 32 pages are in this category, out of 32 total. This list may not reflect recent changes. A. Angarkha; C.
An Agrun (also called Agron, Argon or Agon) is a traditional shawl-like garment worn by Hajong women in the Indian subcontinent, in modern-day India and Bangladesh. [1] It is a form of festive wear, worn during special occasions. Agrun are used by both men and women.
Bengali women were free to draw inspiration from their rich indigenous surroundings as well as contemporary stories. To them, the fabric was the artist, and the person was the artisan. In the mid-19th century, the colour schemes and designs began to change to make them suitable for use on modern garments.