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Passion hymns are hymns dedicated to the Passion of Jesus. They are often sung during Passiontide, namely for Maundy Thursday and Good Friday. Many of them were used as chorales in Passions, such as Bach's St John and St Matthew Passion.
This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
St. John Passion, Bach's last revision (1749), BDW 00310; BWV 247 – St Mark Passion (Markus-Passion) (libretto is extant; although the music is lost much of it is reconstructable based on associated compositions) BWV deest – Weimarer Passion (lost, music partially recuperated in other compositions), BDW 01533
Gorzkie żale (Polish pronunciation: [ˈɡɔʂkʲe ˈʐalɛ] Lenten (or Bitter Lamentations) is a Catholic devotion containing many hymns that developed out of Poland in the 18th century. The devotion is primarily a sung reflection and meditation on the Passion of Christ and the sorrows of His Blessed Mother.
Many of the contemporary artists who authored the folk music that was used in American Catholic Liturgy choose F.E.L. to be their publisher, as did Ray Repp, who pioneered contemporary Catholic liturgical music and authored the "First Mass for Young Americans", a suite of folk-style musical pieces designed for the Catholic liturgy. Repp gave an ...
Passion's first record, Our Soul's Desire, was released in 1997 under Star Song Records.After Star Song artists transferred to Sparrow Records, [2] Passion released two more live albums, including 1999's Better Is One Day, which saw Passion charting on the Billboard Christian Albums chart for the first time. [3]
Passiontide and other named days and day ranges around Lent and Easter in Western Christianity, with the fasting days of Lent numbered. Passiontide (in the Christian liturgical year) is a name for the last two weeks of Lent, beginning on the Fifth Sunday of Lent, long celebrated as Passion Sunday, and continuing through Lazarus Saturday.
[8] Awarding the album nine out of ten stars in The Front Row Report, Reggie Edwards says, "Each song flows perfectly into the next and it’s a perfectly-constructed worship experience." [ 6 ] Leah St. John, giving the album three and a half stars from Christian Review Magazine, writes, " Even So Come didn't really strike a chord". [ 4 ]