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Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Emblem of Jerusalem. The biblical Judah (in Hebrew: Yehuda) is the eponymous ancestor of the Tribe of Judah, which is traditionally symbolized by a lion.In Genesis, the patriarch Jacob ("Israel") gave that symbol to this tribe when he refers to his son Judah as a Gur Aryeh' גּוּר אַרְיֵה יְהוּדָה, "Young Lion" (Genesis 49:9) when blessing him. [3]
Christ and the Samaritan Woman is a painting of 1742 by Jean-François de Troy depicting the biblical episode of the Samaritan woman at the well.It is one of a series of six paintings by the artist for Pierre Guérin de Tencin and his archepiscopal palace at Lyon; the others were The Death of Lucretia, The Death of Cleopatra, The Judgement of Solomon, The Idolatry of Solomon and The Woman ...
La Grande Bible de Tours, according to the Vulgate, new translation: 2 vols. grand in folio: 241: Mame, Tours; Cassell and Co., England [30] 1866: John Milton: Paradise Lost: 50 Plates: Cassell and Co. [30] 1867: La Bédollière: La France et la Russie (Paris) [30] 1867: Les Fables de Lafontaine: 2 vols. in folio: 8 large and 250 small plates ...
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Crucifixion in popular art, as with modern art, is sometimes used for its shock value. For example, a World War I Liberty bond poster by Fernando Amorsolo depicts a German soldier nailing an American soldier, his arms outspread, to the trunk of a tree.
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