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Drake felt like the song was a throwaway so he wanted to give the song to "somebody who was poppin" and gave it to Kendrick Lamar. Lamar recorded his verse on the song but decided not to use the song for his album Good Kid, M.A.A.D City , as he thought the song would not fit into the album, so he returned the song back to Drake again.
Billboard labeled the production on the record's second single, "Fuckin' Problems", as a "new scorcher". [27] To produce the beat, Rocky recruited Noah "40" Shebib, who co-produced it along with Drake under the pseudonym C. Papi. [27] On December 4, 2012, the music video was released for "Fuckin' Problems" featuring 2 Chainz, Kendrick Lamar and ...
Both songs were included on his mixtape Live. Love. ASAP, released in October 2011 to critical acclaim. The record deal was unique as it allocated half its US$3 million sum Rocky's musical endeavors and the other half towards the development of his group, ASAP Mob .
The song was criticized for the "raunchiness" of the content and of the lyrics, and when MTV News caught up with Iglesias at a rehearsal for the 2010 American Music Awards, he maintained that "isn't meant to twist up any knickers, but rather is just good, kind-of clean fun. [...] I thought it was a strong statement ... to say in a song, but it ...
It's quite a song title, too. If we take a trip down memory lane and look at Olivia's debut album Sour , the phrase "teenage dream" came up in her music before.
Live in Cook County Jail is a 1971 live album by American blues musician B.B. King, recorded on September 10, 1970, in Cook County Jail in Chicago.Agreeing to a request by jail warden Winston Moore, King and his band performed for an audience of 2,117 prisoners, most of whom were young black men.
The song goes on to call out a high school bully, whom Swift seemingly likens to Kardashian as capital letters in the track title spell out Kim. Taylor Swift VALERIE MACON/AFP via Getty Images.
The song received critical acclaim from music critics. Bill Lamb of About.com gave the song 4.5 out of 5 stars, praising the "Serious but uplifting lyrics", commenting: "It has just enough edginess to move Pink away from bland middle of the road territory. Finally, the melody and arrangement make the song instantly memorable and familiar."