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"Heidegger on Art". Martin Heidegger: Politics, Art, and Technology. New York: Holmes; Schapiro, Meyer. 1994. “The Still Life as a Personal Object - A Note on Heidegger and van Gogh”, ”Further Notes on Heidegger and van Gogh”, in: Theory and Philosophy of Art: Style, Artist, and Society, Selected papers 4, New York: George Braziller ...
Art Matters: A Critical Commentary on Heidegger's "The Origin of the Work of Art" (Springer, 2009) Die bayerische Rokokokirche: Das Irrationale und das Sakrale (2009) (reworked version of The Bavarian Rococo Church) Between Nihilism and Faith: A Commentary on Either/Or (De Gruyter, 2010) Infinity and Perspective (Cambridge, Mass.: MIT, 2001)
Martin Heidegger (/ ˈ h aɪ d ɛ ɡ ər, ˈ h aɪ d ɪ ɡ ər /; [3] German: [ˈmaʁtiːn ˈhaɪdɛɡɐ]; [3] 26 September 1889 – 26 May 1976) was a German philosopher best known for contributions to phenomenology, hermeneutics, and existentialism.
Stairway of the Hôtel Tassel, an early example of Gesamtkunstwerk. A Gesamtkunstwerk (German: [ɡəˈzamtˌkʊnstvɛʁk] ⓘ, literally 'total artwork', translated as 'total work of art', [1] 'ideal work of art', [2] 'universal artwork', [3] 'synthesis of the arts', 'comprehensive artwork', or 'all-embracing art form') is a work of art that makes use of all or many art forms or strives to do so.
Heidegger's work built on, and responded to, the earlier explorations of phenomenology by another Weimar era philosopher, Edmund Husserl. The intersection of politics and philosophy inspired other philosophers in Weimar Germany, when radical politics included many thinkers and activists across the political spectrum.
Martin Heidegger Gestell (or sometimes Ge-stell ) is a German word used by twentieth-century German philosopher Martin Heidegger to describe what lies behind or beneath modern technology . [ 1 ] Heidegger introduced the term in 1954 in The Question Concerning Technology , a text based on the lecture "The Framework" (" Das Gestell ") first ...
Polite architecture; Prairie Style 1900–1917 US; Pueblo style 1898–1990s; Shingle Style 1879–1905 New England; Queen Anne Style architecture 1870–1910s UK and US; Queenslander 1840s–1960s; Ranch-style 1940s–1970s US; Repoblación architecture 880s–11th century; Spain; Regency architecture; Richardsonian Romanesque 1880s US; Rococo
Lectures on Aesthetics (LA; German: Vorlesungen über die Ästhetik, VÄ) is a compilation of notes from university lectures on aesthetics given by Georg Wilhelm Friedrich Hegel in Heidelberg in 1818 and in Berlin in 1820/21, 1823, 1826 and 1828/29.